Twenty Show: The Film / 2009

Twenty Show was the first "user generated film", edited from fictional and real video-blogs. A unique experience initiated on the Internet, a mockumentary that paints a generational portrait of young French people in their twenties.

Capitan Mutanda - Il film / 20176.122 voti

George e Harold, due piccole pesti, ipnotizzano il preside della loro scuola e lo trasformano nel protagonista del fumetto da loro creato: Captain Mutanda, un eroe dal cuore buono che indossa solo le sue mutande e un mantello rosso.

Deadwood - Il film / 20196.85 voti

1889. Mentre la sua famiglia cresce, Seth Bullock (Timothy Olyphant) è ancora lo sceriffo della città di frontiera di Deadwood. Il suo amico Sol Star (John Hawkes) vive con la prostituta Trixie (Paula Malcomson), dalla quale aspetta un bambino. Al Swearenger (Ian McShane) dirige ancora il Gem Saloon con i suoi scagnozzi, ma le sue pessime condizioni di salute preoccupano particolarmente Doc Cochran (Brad Dourif). George Hearst (Gerald McRaney) ritorna in città con la carica di Senatore e con l'intenzione di espandere il proprio dominio nel mercato delle comunicazioni.

Borat - Seguito di film cinema / 20206.181 voti

Imprigionato per aver ridicolizzato il proprio Paese, il giornalista kazako Borat viene richiamato per una nuova missione ufficiale: tornare negli Stati Uniti per donare a Michael Pence una scimmia! Approdato in Texas, Borat scopre però che la scimmia è morta e che la figlia quindicenne Tutar lo ha seguito. Come compensazione, decide quindi di donare la stessa Tutar al vicepresidente. Cresciuta nel mito di Melania Trump e convinta che il posto ideale per una donna sia una gabbia, Tutar prende lezioni per diventare una perfetta donna americana e una volta diventata una giornalista rampante si offre, non più a Pence, ma a Rudolph Giuliani. Nel frattempo Borat si preoccupa di salvaguardare la sicurezza della figlia e soprattutto di proteggere l'America dalla minaccia del virus diffuso dalla famiglia Clinton...

Filming Desire: A Journey Through Women’s Cinema / 2000

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

Has the Film Already Started? / 1951

“A pink moving screen will stand at the entrance to the theatre, in the night. One hour before the screening a projectionist will show Griffith’s Intolerance on this screen. The start of the film will be announced at 8.30 but no one will enter before 9.30. During these 60 minutes of waiting, people on the first floor of the building will shake out very dusty carpets, and someone else will throw ice water on the heads of those spectators waiting for the screening. Some actors who have infiltrated the crowd will insult other actors on the first floor. At this moment only, and to stop the beginning of a scandal, the doors of the theatre will open…”

The Film to Come / 19978.01 voti

If any single piece can act as a key to Ruiz, it may be the 1997 short Le Film à Venir (The Film to Come). The titular film is a holy fragment of celluloid that can only be seen by a secret society known as the Philokinetes. They watch it on a loop, somnambulating through a life that is unreal by comparison. It is the belief of the Philokinetes that film has an existence “independent from humans. Cinema, they said, is the primeval soup of a new life form. There from were to emerge pure screening creatures. Which is to say, non-topical beings.” - n+1

Claude Francois: The Film of His Life / 1979

Simply Gay The Movie / 2014

A human and artistic adventure for a socio-educational movie approaching several current themes, far from fairy tales, but real unfortunately. Besides the homophobia, which is a defect(tare weight) and a shame in our time, this movie approaches the family tears and its dramatic consequences. All the people can feel concerned and reflect about this scenario punch of Greg Nashvil and Benjamin Karmer, gay people as heterosexuals...

Black City Parade : Le Film / 2013

Organisation super insolite, le film / 2017

Femme ta gueule – Le film / 2020

Pas - Le film qui danse / 2015

Little Miss Soccer, le film / 2019

Massilia Sound System: Le film / 2017

Le corps du film /

Le film de demain / 1967

Le film du poilu / 1928

Kids playact war in the backyard and the adults decide to show them a documentary about World War 1.

The Wedding Day / 2005

Odette has planned everything for her daughter's wedding to take place as well as possible: the caterer, the venue, her lifelong friends, nothing has been left to chance for this evening to be unforgettable: It will be.

Persona: The Film That Saved Ingmar Bergman / 2018

In 1965 Ingmar Bergman filmed “Persona”, the cult film that brought together all of the Swedish filmmaker’s obsessions and became a turning point in his career.