Bab'Aziz - Il principe che contemplava la sua anima / 20068.115 voti

La storia di un derviscio cieco di nome Bab'Aziz e della sua vivace nipote, Ishtar. Insieme vagano nel deserto alla ricerca di una grande riunione di dervisci che si svolge solo una volta ogni trent'anni. Con la fede come unica guida, i due viaggiano per giorni attraverso il vasto e arido paesaggio.

El ánima de Sayula / 1982

Ljuba - Corpo e anima / 1997

Ljuba, una donna che è diventata una modella da poco, viene coinvolta con un ladro di uranio.

Anima nera / 19626.03 voti

Adriano, che ha un passato torbido alle spalle, vuole chiudere con quel tipo di vita e accetta di sposare Marcella, una ragazza di buona famiglia. Un giorno riceve l'eredità da parte di un amico di vecchia data non troppo raccomandabile

Anima: Beyond Memeverso / 2018

L'anima gemella / 20026.250 voti

Teresa viene abbandonata sull'altare da Tonino, innamorato della cugina di lei, Maddalena. Per riconquistare lo sposo perduto, Teresa si rivolge, allora, al barbiere del paese, Angelantonio, figlio di una fattucchiera.

Quando l'amore brucia l'anima - Walk the Line / 20057.5260 voti

La storia del giovane Johnny Cash e del suo turbolento rapporto d’amore con June Carter ha inizio in Arkansas durante l’epoca della Depressione e mostra le origini del suono di Cash, quando era ancora semplicemente il figlio di un mezzadro, passando poi attraverso i suoi tour scatenati con pionieri del rock and roll come Elvis Presley, Carl Perkins, Roy Orbison, Jerry Lee Lewis e Waylon Jennings, per terminare infine la sua corsa con l’indimenticabile concerto del 1968 alla prigione di Folsom.

Japan Animator Expo / 2014

Nihon Animator Mihonichi è una serie collaborativa di cortometraggi anime indipendenti con il supporto di vari registi e studi. Con l'obiettivo di esporre nuovi animatori a un pubblico mondiale, questi piccoli lavori offrono uno sguardo al futuro del settore, con talenti emergenti, tecniche all'avanguardia e design estetici sperimentali.

Anima Mundi Brasil / 1993

Anima - Symphonie Fantastique / 1981

A young man, the soldier and bachelor type, is looking for Anima - the eternal unattainable female who alternately appears as a virgin, harlot, mother, saint but also as a witch. In his illusions and visions made up of images which are multi-layered and ambiguous, Anima changes from a romantic ideal to a technically two dimensional duplicate which can be reproduced and is half woman, half sewing machine.

Anima Mundi / 2011

An independent, unique and interesting feature on peak oil, climate change, permaculture and Gaia theory

Poetika Anima / 2018

Poetika Anima is a non-narrative animated film based on a lyrical poem created by the synthesis of director’s diary notes. Countless symbols and visual metaphors, along with the original atmospheric music create a story rich with interpretations about a woman who transforms her disheartenment within a fluid spacetime.

Anima Exhalare / 2018

Camille has a nightmare. A monster chases her. She woke up and her mother comes to her room, Camille isn’t ready to deal with her. She wants to be alone. She feels like the monster is still here, somewhere. She tries to forget what happened by going outside to play with her friends.

Anima Animus / 2012

The film portrays the junction of two individuals: a lonely old man and a young woman, subconsciously joined in a single dream space. The different manifestations of the archetype Anima act as an ally between the unconscious 'self' and the conscious 'I'. Anima, both a Virgin Mary and a whore, expose the intimate conception of women, hidden inside the mind of the lonely man. While, simultaneously appearing in the women's subconsciousness as a mysterious and charming lover, a father figure, a professor or a saint, illuminating her perception of men. Anima, as many archetypes, possess a duality which allows it to have both a positive and negative influence.

Anima Mundi / 1967

Anima Mundi is a filmic interpretation of mythological motifs, primitive rites and notions taken from samic culture in northern Sweden. Carved figures and forms in black and white represent a pagan world of signs, and esoteric symbolism that pays scant attention to the public mind or the ephemeral quality of life and out inevitable fate. (Filmform)

Anima State / 2013

Pakistan - present day, a Stranger in a bandaged mask embarks upon a random killing spree with a gun. After shooting eight people dead, he realizes that nobody seems to care about what he is doing. So he gets onto a TV show with a plan to kill himself live on air. A Filmmaker emerges from this dream, with no mask, gun or dead people. Just a camera in his hand. Then his real troubles begin. Persecuted, paranoid and on the run, the filmmaker becomes confused whether he is still trapped in his dream, or whether Pakistan itself might have lost grip on reality.

Anima Sola / 2015

A group young people are trapped in a house in Vargem Grande, in the city of Rio de Janeiro, and haunted by Gestas, who seeks his salvation through the reincarnation of the soul in a young girl who just moved to the house.

Anima Overdrive / 2023

“I deliver all your medicine right before you know you’re ill!” Clicked. Ordered. Delivered. Anima Overdrive sells the poison for overstrung souls. To pulsating beats from the nineties, a performer spits word salvos through the ether with the penetrating force of a turbo-capitalistic ad campaign.

Anima Possession / 2022

A pair of lovers, one of whom is a humanoid, go to a robot repair shop hoping to have their relationship mended by the mechanic. On his advice, the human owner Jackie agrees to an irreversible upgrade for Tammy, her humanoid soulmate. However, the results are not as expected. Tammy meets Anima, a fellow humanoid, setting in motion a series of events in a tango between the intangible sense of love, the harsh reality of possession, and the price of independence.

Anima Mundi / 2014

A pioneer of video art, Theo Eshetu explores the relationship between media, identity, and global information networks. After studying photography, Eshetu began making videos in early 1982, seeking to deconstruct the hegemonic status of television, which he viewed as a state apparatus. His practice encompasses documentaries, installations, and films, and he uses moving images “to create or construct an artistic message, a sort of personal reality rather than an institutional reality or a political reality.” Born in London and based in Rome, Eshetu, whose work has been shown in the Venice Biennale, is interested in cultivating a global perspective in his art, drawing inspiration from his pan-national life, including his upbringing in Senegal and Ethiopia.