Lasciami entrare / 2022

Serie tv ispirata al romanzo 'Lasciami entrare' di John Ajvide Lindqvist. New York. Eleanor è una dodicenne che vive con il padre Mark. I due nascondono uno spaventoso segreto che riguarda la ragazzina da circa 10 anni.

The Right One / 2021

Sara, a novelist struggling with writer's block, needs inspiration — and finds it when she serendipitously meets Godfrey, a down-on-his-luck oddball who constantly changes personas and alter egos in order to cope with his past and avoid reality. Just as Godfrey begins to open up to Sara, he discovers that she’s been using him as inspiration for her next novel, and he vanishes from her life. Did Sara just lose the man of her dreams, or will she be able to find him and make things right?

The Right One / 2011

Try (Zizi Badrawi) to convince her son, an interior decorator Abdullah (Hani Salama) to marry, with the help of his friend and his partner (Amr Youssef), not that Abdullah resides illicit relationship with a businesswoman (Rania Youssef), at the time that it relates to anchor (Yasmine Al Rayes ) heart Abdullah and seeking to marry him, and his girlfriend are trying to (smile) restore Khabib following her split from her husband (Amr Youssef), but Abdullah did not care about his love of them, sweeping the girl Christian (linux hosting).

The Right One / 2014

Jack (Gandhi Fenando), a bank clerk, is stuck with his boring job. Alice (Tara Basro), marine biologists, spent almost all her working time by sitting in the office rather than uses her knowledge in the field. Fate brings the two human in a bar. Conversations and connections soon intertwin. They decide to spend the day by going to different places around Bali and talk about life, love, and a sense of frustration from the post-college world they were.

The Right One / 2019

A possessive mother, a loving son, the fiancée's first visit, a mute witness... Four players around a pie.

Lasciami entrare / 20087.3312 voti

A Blackeberg, un piccolo centro della periferia di Stoccolma, Oskar sogna di vendicarsi del mobbing che subisce ogni giorno da tre compagni di classe. Armato di un coltello immagina di infilarlo nello stomaco di Connie, che dei tre è il più arrogante. Una notte la tranquillità del quartiere in cui vive viene interrotta dall'arrivo di un uomo e di una dodicenne pallida e ambigua che sembra non conoscere freddo e paura. Con l'arrivo dei nuovi inquilini dell'appartamento di fianco al suo, una serie di efferati omicidi iniziano a macchiare il paesaggio innevato e ben presto Oskar scopre che Eli, con la quale nel frattempo ha stretto una tenera amicizia, altri non è che un vampiro imprigionato in eterno in un corpo da bambina.

The Right One / 2024

A young girl is forced to pick between a violin and a cello only to discover the right instrument for her is something entirely out of the ordinary.

The Right One /

A woman works dark folk magic in hopes of finding her lost sister.

The Right One / 2018

In this short film, Bas has just been rejected by the love of his life, Maple. All because he looked "gay". His friend, A, tries to comfort him, saying he doesn't need to change himself. But yet Bas tries to look less "gay".

Choosing the Right Ones /

When Tsar Nicholas II abdicated, 43 people agreed to follow him into exile and share his prison life with him. Only 43 - out of the entire multimillion-dollar Russia! Among them there was not a single relative of the Tsar and Tsarina, not a single member of the royal family. There were no close friends of Nikolai P's youth, whose friendship he treasured all his life. Even the Romanovs' blood relatives abroad renounced the Royal Family.

The One Who Loves Is Right / 2006

Marcos and Osmar live together in São Paulo. Marcos meets Walmir. The three of them live together. One day, Walmir disappears. His absence spurs Marcos and Osmar to scout out the city in search for him.

Do Right and Fear No One / 1975

A portrait of a woman’s life between 1915 and 1975. In Jutta Brückner’s documentary, her mother looks back at the 60 years of her life, talking about her father’s early accidental death, the constraints faced by a lower middle-class family of five, her training as a seamstress, marriage to a bookkeeper committed to social democratic ideals, the privations of war, and not least of all, her later realisation that fear may have caused her to miss opportunities … An ingenious collage of picture and sound accompanies the mother’s narrative, a tapestry of proverbs, pop songs, marching music, and the noise of war. Hundreds of photographs – most selected from August Sander’s (1876–1964) project “People of the 20th Century”, alongside newer photos by Abisag Tüllmann, among others – lend the individual vita of the director’s mother a kind of ontological validity. Images of labourers and office workers, excursions and marches, imbue what we hear with references that transcend the personal.

One Minute for Human Rights / 1989