Hai cercato: Man with a Camera

Man with a Camera / 1958

icona serie tvMan with a Camera

Man with a Camera is an American 1950s television crime drama starring Charles Bronson. Former combat cameraman Mike Kovac (Bronson) is now a freelance photographer in New York City, specializing in difficult and dangerous assignments where he can get the kinds of pictures that other photographers can't, or won't take. He sometimes gets help, often...

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L'uomo con la macchina da presa / 19298.148 voti

L'uomo con la macchina da presa

Un cameraman si aggira con una macchina da presa a tracolla, documentando la vita urbana con un'inventiva folgorante.

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Man with a Movie Camera: The Global Remake / 2009

Man with a Movie Camera: The Global Remake

Man With a Movie Camera: The Global Remake is a participatory video shot by people around the world who are invited to record images interpreting the original script of Vertov’s Man With A Movie Camera and upload them to this site. Software developed specifically for this project archives, sequences and streams the submissions as a film. Anyone can upload footage. When the work streams your contribution becomes part of a worldwide montage, in Vertov’s terms the “decoding of life as it is”.

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Oscar Marzaroli - Man with a Camera / 2014

Oscar Marzaroli - Man with a Camera

Paris had Cartier-Bresson, New York - Diane Arbus and Glasgow - Oscar Marzaroli. Man with a Camera celebrates the life and work of Glasgow's pre-eminent photographer, using some of the 50,000 shots taken over thirty years - a moving portrait of a love affair between a man and his city, and the affection in which he is held today. Marzaroli's black-and-white photographs have become synonymous with a post-war Scotland in the throes of regeneration. They captured both the aspects of the old, such as the rag-and-bone man in the Gorbals or the cockle gatherers of Barra, and the paraphernalia of the new - cranes, towers and construction at Glasgow's Charing Cross. As Glasgow's landscape changes once again and the high-rises that Marzaroli documented going up are gradually being razed to the ground, this film celebrates Marzaroli's remarkable photographic legacy.

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Man with a photo camera / 2019

Man with a photo camera

A photographer from the criminal forensics department, Arystarkh, dreams of building a career as a professional art photographer.

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Man with a cellphone camera / 2023

Man with a cellphone camera

Recreating scenes from the classic A Man with a Camera (1929, Dir. Dziga Vertov/USSR), A Man with a Cell Phone studies the possibilities of filmmaking and image manipulation in the era of social networks.

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A Homeless Man With A Movie Camera / 2023

A Homeless Man With A Movie Camera

A documentary comedy about the homeless director Igor Konovalov, who sold his Moscow apartment 7 years ago. He spent most of the money he earned on making movies, but went bankrupt and became homeless. Now Igor spends the night on the bus, feeds on free food handouts and tries in every possible way to survive in the big city. But he does not stop making movies: despite the circumstances, he is always looking for ways to do what he loves.

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Old Man With A Movie Camera / 2021

Old Man With A Movie Camera

“A person has to have something to live for”. Pentti is a 94-year-old widower who steps into a new phase in his life having found filmmaking – and the feisty Lea.

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The Man Who Confronted Lampião with a Camera / 2017

The Man Who Confronted Lampião with a Camera

This documentary tells the story of traveling salesman Benjamin Abrahão Calil Botto. He followed a trail of horror into the Sertão to find the fearsome King of Cangaço. The band invaded cities, looted, castrated men, branded women with iron, raped and killed. When he was face to face with the bandit, he drew his weapon: a film camera. This video recounts the confrontation that marked the history of documentary in Brazil, with impressive images of Cangaço

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The Man Who Has a Camera / 1933

The Man Who Has a Camera

Liu Na’ou’s The Man with a Movie Camera is comprised of five episodes, shot in four cities across national boundaries: Tainan, Canton, Shenyang, and Tokyo. It displays impressionistic street spectacle and images of quotidian life, as well as excursions by train and ship, unfolding as a private visual journal and a sort of souvenir, but with refined framing, camera movement, and rhythmic editing. With his own perspective and artistic sensitivity embedded in this film, struggling between being a Japanese colonial subject and a Taiwanese/Chinese litterateur, Liu attempts to transcend geological, national, racial/ethnic, linguistic and medial boundaries, to establish a depoliticized, internationalist, cosmopolitan cinematic utopia, a pure cinema, and a fluid and contested identity.

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Looking for the Man with the Camera / 2019

Looking for the Man with the Camera

Boutheyna Bouslama remembers her holidays in Syria in the summer of 1994: a boy offered her an armful of cherries. He was called Oussama. Twenty years later, his name appears in the credits of Return to Homs by Talal Derki, programmed in Istanbul. The childhood friend has become “the man with the camera”, a “media activist” documenting the demonstrations and their repression by the Assad regime, until his arrest in 2012. The filmmaker sets off in search of the man whose name features on the list of the 70,000 forced disappearances that have occurred since the beginning of the conflict.

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The Man with the Camera / 2020

The Man with the Camera

War correspondent Nathan Hold is confronted with attacks on his person after his picture of a dead refugee child is published. Gone underground in the solitude of the Italian Maremma, he evades questions of morality and ethics. Nathan returns to the roots of photography and falls in love with the interior designer Ewa, a clever and pretty young woman who opens up completely new sides of life for him. The medial flood of information accusing his brother Amon of being a con artist who scammed investors floats like the Sword of Damocles above everything. On the run from the law and from bounty hunters, Amon also goes underground and hides out in their parent’s former holiday home. During the sudden reunion of the two brothers, the past and present collide and an atmosphere of suspicion, mistrust and betrayal arises.

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The Young Man with the Camera / 2019

The Young Man with the Camera

Rafa Caicedo is known in Quibdó as "the young man with the camera". This Chocoano directs and produces a successful web novel with more than 70 chapters, which portrays in its fictional stories and rhythm a little of the life of the Colombian Pacific.

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L'uomo nella macchina da presa / 2017

L'uomo nella macchina da presa

Marcello is a professional film restorer and an avid cinephile. While working on some of the most popular titles of Italian cinema, he comes across a strange figure almost hidden among the extras - a man wearing a bowler hat and looking directly toward the camera, perhaps even at Marcello himself! He finds the same man in many other films from different movie ages. He grows obsessed with this figure, even if it seems Marcello is the only one who can see him.

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Film Stenopeico (L’uomo senza macchina da presa) / 19896.01 voti

Film Stenopeico (L’uomo senza macchina da presa)

Film made with a tiny pinhole camera and 16mm film.

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The Man Who Became A Camera: Photographer Takuma Nakahira / 2003

The Man Who Became A Camera: Photographer Takuma Nakahira

With his photography and texts, Takuma Nakahira was a driving force behind Japan’s «political season» during the ‘60s and ‘70s, before suffering an artistic crisis that lead him into a medical emergency in 1977. Having lost a great part of his memory and his ability to speak, photographs became his life. Over a period of three years, the movie follows Nakahira on his daily quest to trace his life in photographs, whether in his Yokohama neighborhood or on a journey to Okinawa, a place visited in a long gone past.

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The Man with Two Names Cameraman Kim Hak-seong, Kanai Seiichi / 2006

The Man with Two Names Cameraman Kim Hak-seong, Kanai Seiichi

A filmmaker with three names—Hinatsu Eitaro in Japan, Huh Young in Korea, and Huyung in Indonesia—is known as the director of the lost film You and I (1941). Presented here is a retrospective look at a filmmaker who was a victim of his time.

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