Women in Film / 2001

Three women in Hollywood talk to the camera one summer (with a coda six months later). Sara is a casting director; her soliloquies are addressed to Samson (her blind infant son) and to Holly Hunter. She talks about her husband's refusal to touch their son and her discovery of his affair. Gina is a masseuse - blithe, solipsistic, scheming to steal the energy of Hollywood players. She frequently refers to her dead sister Wanda, kidnaped by their father. Phyllis, sexually abused by her father when a teen, addresses her son Eric. She's a producer, working on remaking Pasolini's "Teorema." As the project falls apart, so does she. All three hum or sing, "You made me love you."

Women in Film: BBC Introducing Arts / 2021

Cultural historian Janina Ramirez presents a collection of intriguing and exciting short films by emerging women directors and artists. Each film gives a female perspective on modern-day topics from body image and new love to grief and belonging. Expect honest and refreshing storytelling that will make you laugh, make you cry and make you think.

Seeing for Ourselves: Women Working in Film / 1983

Profile of four independent women filmmakers: Joanna Davis, Tina Keane, Annabel Nicolson and Lis Rhodes, who are shown at work with Felicity Sparrow of Circles, the Women's distribution group which they helped to found. They relate the struggle for a new cinema to the wider aims of the women's movement.

Women in West London Film Laboratories / 2016

Women in West London Film Laboratories documents the bittersweet experience of women in West London film laboratories. It is the first and might be the last attempt to visually record the lives of lab women.

Films Directed by Women in the Silent Era / 2014

From 1896 to 1927, over 80 women directed films worldwide.

In Light of the Revolution / 2015

This documentary focuses on a group of women artists, photographers, musicians and actresses who express their hopes in the Arab Spring of 2011 through their crafts. Not only do we get a look at modern day Cairo, Egypt, we also examine the challenges women face there.

Even with Their Nails: Women Filmmakers in Nicaragua / 2016

Film production in Nicaragua prevails despite the lack of a film industry. This documentary explores the role of women filmmakers in continuing this art form and their passion to mobilize production efforts since the end of Incine, the only film industry.

A Deep Breath, Women Filmmakers / 2023

At last we are starting to hear the voice of women in the cinema. We celebrate it with this documentary on the Basque women moviemakers of yesterday and today, giving a global overview of the subject. Three female divers guide us through the topic of their films, their points of view, their dreams, their efforts to get somewhere, their contribution to the cinema and to society.

Mutual Gaze: Women Filmmakers Support Fund / 2020

Filming Desire: A Journey Through Women’s Cinema / 2000

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

Keeping the Vision Alive / 2002

Keeping the Vision Alive is a documentary film containing the voices and images of Korean women filmmakers-both senior filmmakers and also the peers of director Yim. The film is Yim’s homage to both contemporary Korean women filmmakers, written by a filmmaker of the same age, and also to the history of women filmmakers in Korea. Yim does not reveal her own voice or opinion and lets the voices and images of the filmmakers speak for themselves through a non-interventionist camera. From the pioneers, Park Nam-ok, and Hwang Hye-mi, who directed First Experience in 70’s, to recent filmmakers, Byun Young-joo and Jang Hee-sun, the film traces their experiences, troubles, concerns and thoughts as women and women filmmakers. Keeping the Vision Alive calmly and enthusiastically encourages and celebrates the struggles, the resistance and the survival of women filmmakers in a conservative Korean film industry and a male-dominated and sexist social system. (Kwon Eun-sun)

GTFO: Get The F% Out / 2015

Sparked by a public display of sexual harassment in 2012, GTFO pries open the video game world to explore a 20 billion dollar industry riddled with discrimination and misogyny. Every year, the gaming community grows increasingly diverse. This has led to a clash of values and women are receiving the brunt of the consequences every day, with acts of harassment ranging from name calling to death threats. Through interviews with video game creators, journalists, and academics, GTFO paints a complex picture of the video game industry, while revealing the systemic and human motivations behind acts of harassment. GTFO begins the conversation that will shape the future of the video game world.

I Am an Ox, I Am a Horse, I Am a Man, I Am a Woman / 1988

This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home. Featuring Kira Muratova, Natalia Ryazantseva, Inna Churikova, Nonna Mordyukova, and others.