Tesoro, ci siamo ristretti anche noi / 19975.425 voti

Wayne Szalinzki ne combina un'altra delle sue: un esperimento sulla sua invenzione causa il rimpicciolimento suo, di suo fratello e delle rispettive mogli. I quttro si trovano ad affrontare un mondo mostruosamente e pericolosamente ingigantito.

We Ourselves / 2018

We Ourselves is an unconventional drama about isolation and belonging, about being alone with one’s own thoughts while being part of a shared experience, culture and nation. It takes us into the minds and hearts of a group of idealists and careerists as they take their separate paths in life. These people will tell you that they are the best of friends. They believe they are from the same country, yet in the privacy of a room, they are apart, alone and in a state of exile.

Two Refusals (Would We Recognize Ourselves Unbroken?) / 2024

A two-channel experimental film explores interwoven narratives of struggle against Portuguese colonialism, uncovering the intercontinental network of relations that developed between historical figures in Goa, Mozambique, Angola, and Guinea-Bissau.

The Lies We Tell Ourselves / 2024

An eccentric director on the rise travels to Cannes, Berlin, New Caledonia, Australia and England to create her latest art house film and jumps many entertaining hurdles before realizing her vision.

We Only Attack Ourselves / 2013

A man's consciousness transferred from his own diseased body into something manmade and he must deal with the horror of his new reality.

We Move Only Ourselves / 2015

A short experimental film from Canadian filmmaker Gary Kibbins.

Stories We Tell Ourselves /

An exploration of the abstract feelings of loss, the chaos of thoughts, and the anxiety that comes from the strangeness of time and memories fading away.

We Saw Ourselves Dreaming /

(BASED ON A TRUE) STORY Two mimes, their dog, and a part human part camera chaperone come to Tinseltown with open hearts and big dreams of producing their visionary film. We Saw Ourselves Dreaming. Though. despite their creative aspirations and genuine effort, the mimes quickly fall victim to a whirlwind of scams and close encounters on their rollercoaster ride through a hyperreal Hollywood.

Can We Do It Ourselves? / 2015

This is a solid, thought provoking documentary covering a relevant economic topic in-depth. The question of capitalism's grip on the modern world is highly relevant today and the film questions if we should be pushing for a democratic cooperative way of doing business, showing case studies of businesses who are surviving as democracies within a capitalist system.

Prophecy: The Stories We Tell Ourselves / 2022

An artist comes to terms with how the stories she has told herself have affected the relationships she loves most.

Lies That We Tell Ourselves /

Lucy and Winnie, two lifelong friends, sit down with these two filmmakers as they revisit the incident that ruined their friendship. As the filmmakers aim to make a ‘good’ film they try to twist the truth.

We Always Find Ourselves in the Sea / 2017

A windswept ghost story set on England's southeastern coast.

The Dream Syndicate: How Did We Find Ourselves Here? / 2022

During the era of hyper-formulated pop music in the early 1980s, The Dream Syndicate emerged from Los Angeles as a sensation with their gritty, guitar-driven sound that relied heavily on feedback. How Did We Find Ourselves Here? chronicles the band's journey from their early beginnings, through conflicts with former friends, battles with major record labels, and disbandment, to their eventual reunion in 2012. Despite never achieving widespread commercial success, the band maintains a devoted fanbase and commands great respect from musicians around the globe for their significant influence.

Trust (And Other Lies We Tell Ourselves to Sleep at Night) / 2017

After graduating from college, getting dumped by his girlfriend, and witnessing a robbery, a young man is forced to go on an all night adventure with a mysterious woman and her band of misfits.

How shall we comfort ourselves. / 2022

The tragicomic tableau vivant documentary "How shall we comfort ourselves." explores the endless human search for meaning. Using repurposed church buildings as the theater and everyday events as the play, we take a step back and observe humanity's absurd ways of dealing with life. From hardcore parties to yoga sessions, and from a morning mass to a gym. Hopeful coping-mechanisms we use to escape the emptiness of life. Captured within the walls of that which used to provide us with fixed frames of reference and collective meaning: the church.

Can we not be so self-centered and keep our experiences to ourselves? Diasporic Remembrances of Fasia Jansen / 2022

We gathered to remember the Black german activist Fasia Jansen. Fasia was born in 1929 in Hamburg as the illegimate daughter of white german maiden Eli Jansen and liberian consul Momolu Massaquoi… Having had to witness the suffering of Jewish Women in the Camp of Neuengamme, where Fasia herself had to do forced labour, Fasia dedicated her life to different political struggles. Fasia Jansen was active in women*-, labour-, anti-atom- and peace movements. Her contribution to these movements is an impressive collection of protest songs. Our longing was to relate to Fasia from a Black queer Perspective, to understand her positionality and hence to negotiate ours. We did so by gathering and re-enacting her songs and spirit. Our choir – the Fasia Jansen Ensemble – is a spiritual invocation.

We Treat Ourselves to the Best / 1984

Two couples who travelled together to Mexico watch the footage of their vacation. They laugh at scenes of dropping in on a Mexican family unannounced, frolicking on the beach and bargaining for souvenirs. When the doorbell rings and three Mexicans ask to use the phone, however, the tables are turned and the mood becomes frosty.

We Take Everything Upon Ourselves / 1981

We Save Ourselves /

As the land changes, so too does our Dene languages. This film documents how language revitalization can lead to climate action. Often when we think of climate change, we think of how the water, land and animals are impacted. But what happens when Indigenous languages no longer have the words to describe what is now changing with the land, water and animals?

Since we always kill ourselves too late / 2019

This is not a suicide movie. Emil, Donald and Julie are alive and rub shoulders, without much reason. Probably because they love each other. Finally, it may be a story. We'll see.