Vivos / 2020

Since an attack on students of the Ayotzinapa Rural Teachers' College in 2014 resulted in six deaths and in the forced disappearance of 43, the students’ families have been living in limbo with their unanswered questions, their struggle embodying the psychological and emotional toll of endemic violence upon Mexican society.

El infierno de los vivos / 2024

Mariana, 15, escapes the violence of her home in Santa Fe. She embarks on a search for her biological father and takes refuge in an orphanage where she finds affection from a distant relative. On his journey through the interior of the province, he discovers its inner strength.

Vivos Voco – I Call the Living / 1981

“Bells ring for victim and perpetrator alike, they ring for the master and the servant, the sounds falling into each other, beginning and end, life and death, sleep and awakening, work and prayer.” Helga Schütz’s lyrical verses are closely interwoven with Dagnija Osite-Krüger’s exploration of bells and their many shapes. Whether melted down as tools of war or warning of danger – “Vivos Voco”, which also teaches us about the craft of bell founding, envelops us in an eery, monumental and epochal way. In her auto-fictional biography, Schütz writes about the collaboration with Osite-Krüger: “The two of us and the film, we were a team, we and the co-determinant images.”

Os Vivos, o Morto e o Peixe Frito / 2022

Sete Homens Vivos ou Mortos / 1969

Peixes Vivos / 2023

Thamirys and Raphael are filming the short film "Peixe Vivo", starring their children Agatha and Gustavo - two 8-year-old trans children.

Traiganlos vivos o muertos / 1974

The Living and the Dead / 2019

Manuel decides it´s time to find his half-brother; someone he once heard about as a child but who, like his late father´s memory, was buried and faded away. But finding him will only be an excuse to achieve his true purpose: to understand his impossibility to openly and truthfully talk about fatherhood: the one he didn't have as a child, that was taken up by a lonely mother, self assumed by him, and reshaped by his siblings while growing up. The Living and the Dead is a film about love, honesty and forgiveness in a family where the living ones will have to resort to the dead to find the answers about who they really are.

The Living Dead / 2012

Rio de Janeiro, May, 2012. João waits for Bia in front of the women’s restroom. However, she mysteriously disappears. Now, he doesn’t know if she died, was raptured or just fell in love with somebody else.

Más vivos que nunca / 2017

Five seniors decide to escape the asylum where they live, after one member of their group passes away. They decide to steal her ashes and risk it all escaping in an old convertible by the roads of Venezuela to fulfill her last wish. Persecuted by their relatives, they will live a great adventure.

Avivato (El rey de los vivos) / 1949

Fast-talking con artist type falls in love with a nice young woman and tries to go straight to win her father's approval.

Celtas Cortos - Vivos y Directos / 2012

La Frontera: Capturados Vivos (Concierto Expo'92) / 1992

Os Filmes Estão Vivos /

Lanceiros Negros Estão Vivos / 2016

Buried Alive: Chile Mine Rescue / 2010

Filme B - Entre Mortos e Vivos / 2017

Asfalto - ¡Al Fin Vivos! / 2009

They Could Be Alive / 2022

What would the pandemic have been like in Brazil if the government had used all the potential that the SUS (Brazilian Federal Health System) offers? What could the country's 300,000 health workers have done to combat the uncontrolled transmission of the virus? How many deaths would have been avoided if we had done contact tracing, mass testing and invested in effective prevention and awareness campaigns? How many children, wives, husbands, mothers, fathers and brothers would have lost the most important people in their lives if the president of the republic had not bet on the strategy of intentional contamination to generate collective immunity, despising vaccines and betting on charlatanism (and corruption)?