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Film oggi in TVHai cercato: The Gristle
The Gristle / 2004
Multiculturalism reaches the depths of the criminal underworld as eight diverse con men must learn to work together to pull off a heist that's anything but ordinary. The target of this melting pot of thieves is a kidney inside a patient who's inside a hospital. This darkly comic caper stars Orson Bean and Michael Dorn.
Throbbing Gristle: The Recording of the Heathen Earth Album / 1980
The live in-studio recording of Throbbing Gristle's Heathen Earth, in February of 1980, in front of an invited audience at the studios of Industrial Records Ltd.
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The House of Gristle
The House of Gristle was a British children's comedy sketch series for Children's BBC which ran for nine weeks in the spring of 1994. This was the Gristle family that had previously appeared in Dizzy Heights. This was mainly down to Steve Nallon's puppetry and voice talents. The main concept behind the show was that an ordinary family, the Gristles,...
Throbbing Gristle: Live at The Lyceum, London /
Throbbing Gristle: Live at the Lyceum, London, 8th of February 1980
TGV - The Video Archive of Throbbing Gristle / 2007
Wikipedia: TGV is a limited edition 7 DVD set of archival footage of the English industrial band Throbbing Gristle. Included in this set were some of Throbbing Gristle's live performances, as well as rehearsals and short films. The release was limited to 2000 copies and was initially only available direct from the band's website,but later some sellers were offering it online too.
Throbbing Gristle: Mission of Dead Souls - The Last Live Performance of TG / 1983
Throbbing Gristle performing live at the Kezar Pavillion in San Francisco, California on the evening of May 29th, 1981. This would be TG's last show until reforming in 2002.
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Other, Like Me / 2020
Hull, England, 1970. In a run-down commune in a tough port city, a group of social misfits - mostly working class, mostly self-educated - adopted new identities and began making simple street theater under the name COUM Transmissions. Their playful performances gradually gave way to work that dealt openly with sex, pornography, and violence. COUM lived on the edges of society, surviving on meager resources, finding fellowship with others marginalized by the mainstream. At the core of the group were two artists, Genesis P-Orridge and Cosey Fanni Tutti. As their work evolved, Cosey embarked on a career modeling for pornographic magazines, which she claimed for herself as a conceptual artwork, using it to forge a specific position in relationship to 1970s feminism. In performances, Genesis pushed himself to extremes, testing the limits of the human body.
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