The Call to Arms / 1910

A Feudal Lord and his bride were visited by their cousin at a time when this Lord was presenting to his bride the family heirloom the Great Ruby of Irskaat. The cousin coveted it, and was determined to secure it. The Lord receives a call to arms and appreciating the danger of leaving this valuable jewel unguarded, buries it in a secluded part of the grounds. His soldiers now assembled, he departs, leaving his wife to the care of his trusted servants. No sooner had he left than the cousin returns with the subterfuge that he will stay at the palace guarding the wife until the Lord's return. This the wife appreciates, believing his tender well meant. Surreptitiously he rids the palace of the servants, placing his own in their stead. The poor woman is now in the absolute power of this despicable villain.

A Call for Arms! / 1940

"What a life for a couple of nudes!" Two dancers find a new way of doing their bit for the boys in this frothy wartime propaganda short. Lord Kitchener's famous finger persuades Joan and Ireen, dancers in a 'Non Stop Nudes' revue (not that we see anything that warrants that title), to make a radical career change. Swapping their skimpy costumes for dowdy munitions factory overalls, they join a growing domestic army of women keeping the machines rolling. Belfast-born Brian Desmond Hurst was essentially a feature film director, whose best-remembered work is the Dickens adaptation Scrooge, but whose credits also included the war films Dangerous Moonlight (1941) and The Malta Story (1953). The Call for Arms was one of three propaganda shorts he made between 1940 and 1941, the most memorable being Miss Grant Goes to the Door, in which a pair of village spinsters outwit a Nazi paratrooper.

Call to Arms / 1973

The aggressive and dangerous Chin empire occupies the put-upon Chao kingdom while the hero-filled Wei empire is paralysed by an indecisive ruler.

Call to Arms / 1936