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Film oggi in TVHai cercato: The Algerian
The Algerian / 2015
The Algerian is an international political thriller about the colliding worlds of the Middle East and America. It follows Ali (Ben Youcef) across the world from Algeria to New York, Las Vegas and Los Angeles as it reveals he is a sleeper cell part of an international plot.
The Algerian War! / 2014
In a single static shot a man is threatened with death at another's gunpoint.
Vai alla scheda del filmJamila, the Algerian / 1958
Jamila, an Algerian girl who loves her homeland, joins the nationalist movement to liberate her country from French occupation. Based on the life of Djamila Bouhired, who was arrested and tortured by the French Algerian government, Chahine's first explicitly political film managed to galvanize wide solidarity with the Algerian resistance from across the Arab World, starting in Egypt.
The Algerian War / 1972
A French historical documentary that retraces the events leading up to Algeria's war of independence from 1954 to 1962, based on archive footage and testimonies from key players of the period.
Vai alla scheda del filmAn Unhealed Wound - The Harkis in the Algerian War / 2010
It's the unforgivable story of the two hundred thousands harkis, the Arabs who fought alongside the French in the bitter Algerian war, from 1954 to 1962. Why did they make that choice? Why were they slaughtered after Algeria's independence? Why were they abandonned by the French government? Some fifty to sixty thousands were saved and transferred in France, often at pitiful conditions. This is for the first time, the story of this tragedy, told in the brilliant style of the authors of "Apocalypse".
The Algerian Novel / 2019
Starting from a small kiosk of old postcards as a derisory memorial of Algerian history, the visual artist questions the role of images - or the absence of images - in the representation of the colonial heritage of Algeria, of decolonization and the dark years… in short, in the construction of his national novel. In three separate chapters, Katia Kameli delivers a reflection on the making of images or symbols (the flag!). In the enlightened company of the philosopher Marie-José Mondzain and extracts from films by Assia Djebar, she begins a critique that goes beyond the Algerian framework on our relationship to the stories, ideologies and images that shape them.
The Algerian Novel, chapter 1 / 2016
In Larbi Ben M’Hidi street, in Algiers, Farouk Azzoug and his son own a nomad kiosk where they sell old postcards and reproduction of archival photographs. Many different images constitute this fund, going from the late 18th century until the 1980’s. There can be found original postcards, of genre scene or architecture, art deco commercials for the railways, and also photographic reproductions of important political figures from or coming to Algeria. This eclectic collection - good neighborly displayed under plastic - brings us into a colonial and postcolonial iconography. It appears to be classified randomly but it allows many associations, as a kind of Algerian Atlas Mnemosyne. Over the images of the kiosk and different locations in the city, we can hear the voices of inhabitants of Algiers, historians, writers, students, who explain their connection to these images and to the history of their country.
The Algerian Novel, chapter 2 / 2017
In Algerian Novel - chapter 2, French philosopher Marie-José Mondzain reinterprets Algerian Novel - chapter 1. The film’s nested structure is a way to keep images and their symbolic load at a distance. It opens a new space of negotiation wherein new associations can be shaped. They function as a starting point for the writing of a history in movement and produce narratives which then become touchstones for a new kind of historicisation. In the second part of this second chapter, Mondzain analyses another visual material: that of the rushes recorded during the shooting of the first chapter. These rushes could have been left invisible, or rather 'unseen'- the same way some of the Algerian’s historical figures are not represented on the pictures of the kiosk. In her book, L’image peut-elle tuer? [Can the image kill?], Mondzain defines the 'unseen' as what is waiting for meaning in the community debate. The unseen would then be a sort of unexploited archive, waiting for the gaze to expand.
The Algerian Novel, chapter 3 / 2019
The Hirak protests appear as a counterpoint to the investigations conducted throughout the film, and seem to provide the gateway to the exploration of hidden memories. Through a discussion on Louiza Ammi's photographic work, this chapter is an opportunity to rectify the iconographic absence of the Black Decade, which is mentioned in the first two parts. The analysis of sequences from the Assia Djebar's movie La Nouba des femmes du mont Chenoua, by Ahmed Bedjaoui, producer and film critic, feeds into this historical reinvestment. This film, which is symbolic of the beginnings of post-decolonization Algerian cinema, reappropriates the writing of history through the prism of women of different generations, whose words embody a memory that is too often overshadowed.
Fatima, the Algerian Woman of Dakar / 2004
In the aftermath of the Algerian War, a young Algerian woman reaches a strange reconciliation with the Senegalese officer who raped and impregnated her.
Surgeon during the Algerian War / 2012
Has everything really been said about the Algerian war? Although the archives are opening up, almost fifty years after the signing of the Evian Agreements (March 18, 1962), direct witnesses are beginning to disappear. They are, however, unique bearers of history, often the only ones able to illustrate the harsh reality of a long-hidden period. Gérard Zwang, surgeon of the contingent between May 1956 and June 1958, is one of these essential witnesses who help us discover an original history of the Algerian War. During his service, in charge of treating the most atrocious wounds of his fellow soldiers, he sees the war from the side of its victims. He did not fight with a machine pistol in his hand, but behind the closed doors of an operating room where life gives way to death in a matter of seconds.
The many faces of Algerian war / 2015
With the intention to represent all points of view, this documentary tackles the eight years of the "Algerian war" or "War of Liberation" head-on through the accounts of those who experienced it. 25 witnesses, civilians and soldiers of both camps, deliver their perceptions of the conflict and help to explain the multiple facets of this war.
Here We Drown Algerians / 2011
In response to the call of the Front de libération nationale (F.L.N., the National Liberation Front), thousands of Algerians from Paris and its surroundings march on October 17, 1961, to protest against the curfew imposed on them. This peaceful demonstration will be violently put down by the police. 50 years on, the filmmaker sheds light on this still taboo subject. Blending testimony and unseen archive footage, history and memory, past and present, the film relates the different stages in these events and reveals the strategy and methods applied at the highest level of the French state: manipulation of public opinion, the systematic challenge of every accusation, the censoring of information in order to prevent investigation.
An Algerian Game / 2021
It is 1995. In a district in the suburbs of Algiers, 12-year-olds Samia and Nouara enjoy a happy friendship until violence suddenly appears in their life and tests their bond. With a background in documentaries, Amal Blidi creates an intense first fictional short film that uses the prism of adolescence to sensitively allude to the “Black Decade” and the end of innocence.
Algerian Refugees / 1958
Directed by Pierre Clément and Djamel-Eddine Chanderli, produced by the FLN Information Service in 1958, this film is a rare document. Pierre Clément is considered one of the founders of Algerian cinema. In this film he shows images of Algerian refugee camps in Tunisia and their living conditions. A restored DVD version released in 2016, from the 35 mm original donated by Pierre Clément to the Contemporary International Documentation Library (BDIC).
Goumiers algériens en Belgique / 1915
What we see in this short are Algerian spahis, cavalry units from that country. We watch their military evolutions, their charging at the camera and across the muddy shores. We see them at prayer.
