Rossini - Stabat Mater / 2011

Quattro superbi solisti - Anna Netrebko, Marianna Pizzolato, Matthew Polenzani e Ildebrando d'Arcangelo - e il Coro e l'Orchestra della Accademia di Santa Cecilia di Rom trasformano "Stabat mater" di Rossini in una festa di "italianità" nella loro prima apparizione al Salzburg Festival. Netrebko fonde "la sua voce magnificamente nell'ensemble di soliti - una voce tra pari in un ottimo quartetto" (Salzburger Nachrichten). Antonio Pappano, direttore principale dell'Accademia, rende piena giustizia al lavoro di Rossini, un pezzo drammatico pieno di passaggi sensuali e corali e vari assoli e pezzi d'ensemble.

Stabat Mater / 2023

Stabat Mater / 2016

Hotel guests look restrained, sedated in the diffuse light of the service provider’s shimmering cage. A network of joists, pilasters and fluting exposes the proverbial off-season chill in the seating arrangements. Smart-phones and tablets mask a total lack of communication.

Stabat Mater / 1990

Stabat Mater opens and closes with two sung laments, then launches into a breathless torrent of words and phrases, a re-reading of the eternal feminine of Joyce’s Ulysses, which echoes the exultant/feverish swoop of the camera through a Mediterranean landscape

Stabat Mater /

Filmed in the Santuario della Beata Vergine dei Miracoli in Saronno, the DVD set Pergolesi's music against the background of the magnificent cupola frescoes of Gaudenzio Ferrari

Stabat Mater /

Clara has had a difficult relationship with motherhood since finding out she was pregnant with her daughter Amanda when she was 20, challenging the body she deems unfit for the role of mother by giving it without pleasure and working long hours in sordid night clubs. She decides to leave her daughter and partner but ten years later she is forced to take a newfound responsibility when Amanda falls ill.

Vivaldi: Stabat Mater / 2021

A short music film, a feature illustration of Vivaldi’s opera Stabat Mater performed by Jakub Józef Orliński and Capella Cracoviensis. The music here accompanies events in which the theme of the Sorrowful Mother is originally interpreted by the director and set in an undefined contemporary time. Atmospheric, strangely wandering, emotional narrative with a surprising finale, starring Jakub Józef Orliński himself, not only as a countertenor but also as a stirring actor.

SIKSA. Stabat Mater Dolorosa /

Musical based on SIKSA's album is a performative dream of making a movie come true, where both the dream and the movie are like chewing gum that has been tasteless for too long. A nostalgic invitation to a dancing story about a girl returning to her childhood, when she dressed up as different women using her mother's wardrobe, and all the roles she played were to please herself. This film is a tool for reconstructing the scenes from the youth, as well as a baroque farewell to all the glitter and unicorns. Stabat Mater Dolorosa is like a bayonet slashing through modern times. She gives us micro-performances with all her body, and at her own risk. SIKSA's music is the scenario rejected, grinded, spat out, negated and intensified by the characters. Piotr Macha's camera is one of the murder weapons that SIKSA would like to use to fuck up the modern reality. It's a language of art that SIKSA has been using almost unnoticed since 2014.

Václav Neumann: Stabat Mater /

Bringing his genius and passion to the podium, conductor Václav Neumann leads the Czech Philharmonic Chorus and Orchestra in this 1989 staging of composer Antonín DvoYák's Stabat Mater. Based on a medieval Latin hymn about the Virgin Mary's suffering at the foot of her son's cross, the production features stellar vocal performances by soprano Yvonne Kenny, mezzo-soprano Eva Randová, tenor Wieslav Ochman and bass Jan Galla.

Antonín Dvořák: Stabat Mater op.58 / 2015

Pergolese - Stabat Mater /

Mariss Jansons Dvorak: Stabat Mater Op.58 / 2016

Mariss Jansons Dvorak: Stabat Mater Op.58