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Seven Veils / 2023

Seven Veils

Jeanine, an earnest theatre director, has been given the task of remounting her former mentor’s most famous work, the opera Salome. Haunted by dark and disturbing memories from her past, she allows her repressed trauma to color the present as she re-enters the opera world after so many years away.

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Salome (The Dance of Seven Veils) / 1908

Salome (The Dance of Seven Veils)

King Herod is enchanted by Salome's dance and grants her wish for the head of John the Baptist.

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Dance of the Seven Veils / 1970

Dance of the Seven Veils

Russell's composer biopics were usually labours of love. This was the opposite: he regarded Strauss's music as "bombastic, sham and hollow", and despised the composer for claiming to be apolitical while cosying up to the Nazi regime. The film depicts Strauss in a variety of grotesquely caricatured situations: attacked by nuns after adopting Nietzsche's philosophy, he fights duels with jealous husbands, literally batters his critics into submission with his music and glorifies the women in his life and fantasies. (BFI Screenonline)

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Salome: The Dance of the Seven Veils / 1965

Salome: The Dance of the Seven Veils

The story of Salome, who danced for the head of John the Baptist, has long been a source of fascination to scholars and artists.

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Salome and the Dance of the Seven Veils / 1965

Salome and the Dance of the Seven Veils

This color film reprises the female impersonator Adrian's nightclub act of the same name: "'Salome and the Dance of the Seven Veils' introduced the Club 82's new season to New Yorkers, in 1958. It was an immediate hit, and Adrian stayed on for four years, delighting audiences that came from all parts of the country and the world to see him. One of the reasons for its success was that Adrian, wanting everything to go perfectly, designed and made his own costume. He discovered a new talent, which he continues to use. The wax head of John the Baptist, which he uses in his act, is the same one which Brenda Lewis used in the Metropolitan Opera." - Avery Willard, Female Impersonators, 1971.

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