Phases / 1977

A walking figure emerges from a changing, circular cycle; his inner self emerges and precipitats a series of violent struggles with himself, adapting various animal forms along the way.

Phases / 2021

Max, a werewolf, receives an unexpected visit on the night of the full moon.

Love With Many Phases / 1982

Night of the Wolf / 20145.33 voti

Ambrose McKinley (Nick Damici), un veterano di guerra, si trasferisce nella piccola comunità di Crescent Bay in cui i residenti muoiono in numero sempre più crescente, vittime, a quanto sembra, degli attacchi di alcuni animali non identificati. Dopo essere a sua volta scampato ad un attacco, durante la sua prima notte nella nuova casa, Ambrose scopre che i colpevoli non sono animali, ma creature molto più terrificanti. Deciso a tutto per fermare la carneficina l’uomo inizierà a prepararsi per lo scontro finale.

50 successive phases of the bursting of 50 primers / 1933

50 successive phases of bursting 50 primers.

Humorous Phases of Funny Faces / 19067.36 voti

A cartoonist draws faces and figures on a blackboard - and they come to life.

Phases of the Moon / 2022

Osanai Kei enjoys a peaceful and happy life with his wife Osanai Kozue and daughter Osanai Ruri, but his wife and daughter die in an accident. Osanai Kei's life suddenly changes. One day, a man named Misumi Akihiko visits Osanai Kei. Misumi Akihiko tells him that on the day Osanai Kozue and Osanai Ruri died, Osanai Ruri, who was a complete stranger to him, was coming to see him. Misumi Akihiko tells him about a woman named Masaki Ruri, who he once loved. These people, who don't seem related, connect under the name of love.

Form Phases IV / 1953

Breer's earliest experiments in animation are wonderfully dense yet lyrical abstractions based on Breer's own geometric paintings. - Harvard Film Archive

Form Phases II / 1953

Breer's earliest experiments in animation are wonderfully dense yet lyrical abstractions based on Breer's own geometric paintings. - Harvard Film Archive

Form Phases I / 1952

Breer's earliest experiments in animation are wonderfully dense yet lyrical abstractions based on Breer's own geometric paintings. - Harvard Film Archive

Five Year Diary, Reel 49: Lunar Phases (November 8–December 5, 1986) / 1986

Phases of Noon / 2016

A continuation of the NOON series, here in FOUR phases, locally.

The Asphodel Phases / 2019

The Asphodel Phases takes the viewer on a drifting exploration through a mysterious, abstract space, towards something alien deep within.

Phases of Death - Phase One: Through the Coroner's Eyes /

Various graphic autopsies are examined in this mondo/shockumentary film.

Some Phases of an Empire / 1984

Using footage rephotographed from the Hollywood spectacle Quo Vadis, this film is a densely layered montage on the themes of power, sexuality and aggression. Rather than a "deconstruction" of the film from which it is derived, its overall effect might better be described as "decomposition" or "derangement" of the original elements. Culled from a variety of recordings of spoken texts (including Rebecca of Sunnybrook Farm) and music (the Hary Janos Suite by Zoltan Kodaly), the soundtrack is edited in a manner that underscores the rhythm of the images, and alludes to the presence of unconscious associations with the story of the original film. The Emperor meets his demise through the agency (the voice) of a wicked Queen, whose lust for power is equalled only by her capacity for destruction.


Les Trois Phases De La Lune / 1905

Silent film.

Quelques phases de la chute d'une sphère dans l'eau /

A sphere falls in water.

Phases of the Moon: The Parapsychology of Everyday Life / 1968

“I usually avoid the term ‘film poem,’ because it was overused in the ‘40s and ‘50s. But somehow it fits Phases of The Moon; it is a film poem and nothing else. A small, miniature film poem, a jewel, if the word masterpiece is too stuffy.” (Jonas Mekas, 1973)

A Kinetic and Sonic Articulation of an Artist's Process in Three Phases /

American writer Susan Sontag has said that “art is a form of consciousness”, and Hélène Cixous that we “annihilate the world with a book”. Exploring the concept of art as a process which enables its makers and observers to approach the unapproachable, Professor Helen Newall presented an interactive lecture-performance, using Isadora Duncan’s ethos of ‘“if I could tell you what it meant, there would be no point in dancing it!’” This animation, which was specially created for the event in collaboration with sound artist, Karen Lauke, formed part of the lecture-performance, and was projected onto three large fine-gauge gauzes hanging the full length of the Rose Theatre stage, the layers rendering the projected images three dimensional.

MOON PHASES ～月の満ち欠けと、ともに / 2020