Hai cercato: Orpheus & Eurydice

Orpheus & Eurydice / 2000

Orpheus & Eurydice

Retelling one of the most famous Greek myths, Orpheus and Eurydice is considered the ultimate tragic love story. Orpheus, believed to be the son of Apollo, fell in love with beautiful Eurydice. However, their love was not meant to last.

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Orpheus and Eurydice / 1984

Orpheus and Eurydice

This work is a retelling of the myth of Orpheus and Eurydice in the style of a Greek vase. When his wife Eurydice dies, Orpheus descends into Hell and by charming the gods of the Underworld with his singing wins Eurydice back, only to lose her again at the threshold of the Overworld'.

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Orpheus and Eurydice / 2008

Orpheus and Eurydice

The Ballet de l'Opera National de Paris mounted this production of the late Pina Bausch's dance-opera Orpheus und Eurydike, which Bausch had adapted from composer Christoph Willibald-Gluck and Ranieri de' Calzabigi's 1762 opera Orfeo ed Euridice. As the title suggests, it takes its basic narrative from the myth of Orpheus, and his courageous but ill-fated attempt to rescue his lover Eurydice (also known as Eurydike) from the jaws of the underworld. This particular production finds Yann Bridard dancing as Orpheus and Marie-Agnès Gillot dancing as Eurydike , with mezzo-soprano Maria-Riccarda Wesseling accompanying Bridard and soprano Julia Kleiter accompanying Wesseling. Pina Bausch did the choreography and stage direction, while Rolf Borzik designed the sets, costumes and lighting. The Balthasar-Neumann Ensemble & Choir, under the direction of Thomas Hengelbrock, lend musical accompaniment.

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The Myth of Orpheus and Eurydice / 2016

The Myth of Orpheus and Eurydice

According to the ancient tale, talented musician Orpheus descends to the underworld to retrieve his beloved wife Eurydice, who steps on a poisonous snake and dies after being chased by Aristaeus. Moved by Orpheus’ music, Hades, ruler of the afterlife, allows him to take Eurydice back under one condition. Eurydice is to follow Orpheus while walking out to the light, but he can’t look back otherwise she will return to the land of the dead forever.

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Orpheus and Eurydice / 1961

Orpheus and Eurydice

A “Puppetoon” style retelling of the tragic tale of Orpheus and his lost love. It features a very vivid rendering of the Underworld, with Hades and Persephone represented as strange iconic totems.

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Orpheus and Eurydice / 2014

Orpheus and Eurydice

The myth of Orpheus and Eurydice tells of the impossible return to the land of the living by a woman who has been mortally wounded. The poet-musician Orpheus’s eventful journey in the world of shadows, searching for the one he loves and cannot let go, takes him to the Elysian Fields. This is an unexpected place of peaceful, composed of countryside and those in its thrall. It is here that Eurydice is now installed. During his journey Orpheus is thus introduced to a surprising reality: an enclave, a protected place, both near and yet inaccessible, disturbing, between life and death.

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Orpheus and Eurydice / 1976

Orpheus and Eurydice

Orpheus' song tames scales and dolphins, dictates laws to the wind and sets the rhythm of the oars that move the sea. Those who listen to it remain motionless in contemplation. Between bodies, the Patagonian landscape and the crossing of boundaries with the private record of a vacation, Narcisa Hirsch and Rafael Maino unfold among the melodies of a passage from Orphee et Eurydice. This film also bears the name "Rafael, 1976" and can be considered part of the series of the diaries with "Rafael, agosto 1984".

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Orpheus and Eurydice / 1906

Orpheus and Eurydice

Dance from the opera from 1762 by Christoph Willibad Gluck (1714-1787), choreography by Hans Beck 1896. Performed by Valborg Borchsenius (née Guldbrandsen), Ellen Price, Elisabeth Beck (1865-1946) and Anna Marie Agerholm (1875-1929).

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Orpheus and Eurydice / 1986

Orpheus and Eurydice

The opera-film, as opposed to Gluck's Vienna version, is a recollection of the ancient tragic Greek myth. Orpheus, who is able to defeat Hades with the power of art, is unable to conquer his own human defects. Amor is sympathetic to Orpheus' sufferings as he mourns his dead beloved, and lets him know the message sent by the Gods, namely that he may take her home from the underworld if he is capable of not looking at her.

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