Hai cercato: Im Dialog

Im Dialog / 1997

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Megatrends im Dialog / 2018

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Time Loops - A Conversation with Christa Wolf / 1991

Time Loops - A Conversation with Christa Wolf

Journalist Daniela Dahn interviews the East-German author Christa Wolf during the German reunification: reflections on history, changing politics, life and work.

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Kunst und Gesellschaft im Dialog I / 2009

Kunst und Gesellschaft im Dialog I

Sebastian Blank has used hacking-techniques to place “art-objects” into the inworld of a computergame, and observes its inhabitant’s reaction to it. Rather than worshipping the sublime, the computer-driven inhabitants react differently, never giving up the struggle to understand. Their shortage of artificial intelligence may be a metaphor for our own incapability to realize art as art in a public, thus normally non-art context.

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Kunst und Gesellschaft im Dialog II / 2009

Kunst und Gesellschaft im Dialog II

It's not about what art can do for society, it's about what society can do for art.

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Kunst und Gesellschaft im Dialog III / 2009

Kunst und Gesellschaft im Dialog III

Referring to a video by Pipilotti Rist, the main character in »Kunst und Gesellschaft im Dialog III« is actively controlled by the player. Your surprising actions, however, remain without consequence in the virtual world.

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The Armed Eye – VALIE EXPORT in a Dialogue with the Film Avant-Garde / 1984

The Armed Eye – VALIE EXPORT in a Dialogue with the Film Avant-Garde

In her three-part series VALIE EXPORT takes a look at the themes of "staged space - staged time", "real movement - movable reality", and "structural film", a genre which no longer exists on public-service television. Using numerous examples from films prepared for the specific media, for example by Wojciek Bruszewski, Malcolm LeGrice, Sergey Eisenstein, Maya Deren, Kurt Kren, Yvonne Rainer, Anne Severson, Alfred Hitchcock, Linda Christanell, Gary Beydler and Marc Adrian, narrative and non-narrative forms of story-telling are examined and compared. Adrian appears in a live interview, and he attempts to explain the conditions of production, methods and Zeitgeist through his own work, including his first computer film, Random (1963). The advanced level of this film is also indicated by the high density of theoretical quotes from Christian Metz, Charles S. Peirce, Vsevolod I. Pudovkin and Ferdinand de Saussure.

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Wildes Denken / 2020

Wildes Denken

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