White Heron / 1941

OSHINO, the beautiful daughter of restaurant owners, is in love with SHIRASAGI the painter. But there is another young man, the son of a moneylender family, who is desperately in love with Oshino...

The Snowy Heron / 1958

The story follows Oshino, a geisha who is trying to start a new life with a lover who is a painter. However, her past filled with debts and pimps catches up to her.

白鷺鷥的願望 / 2015

八州遊侠伝 白鷺三味線 / 1955

Hatamoto Ooka Gentaro was deeply committed to a future with a beautiful girl named Omachi, a relationship facilitated by his love of the shamisen. Omachi was stalked by a ronin named Akiyama Kanosuke, and at one point, Gentaro and Akiyama dueled at Matanuiyama, but the confrontation was left unresolved when Omachi, sensing urgency, called the authorities. Meanwhile, Gentaro's uncle, Kii-no-kami, concerned about Gentaro's whereabouts, ordered him to investigate a conspiracy by Tachibana Tadama, a tyrannical director of Hachijo who exercised his power oppressively in Shimousa Iioka. Gentaro attempted to leave on a journey with Omachi but was obstructed by his uncle's retainers.

Castle of the White Heron / Outsiders in the Renaissance / 2018

Castle of the White Heron Nearly 1,000 years ago, in the ornate capital of Heian-kyo, there was a young, fair-skinned man of noble birth by the name of Abe no Yasunari, who was also a diviner. His foe was Tamamo no Mae. She was a bewitching magical fox who deceived the hearts of men. Time passed. Places changed. Now, the decisive day approaches at the splendid, renowned fortress known as the Castle of the White Heron. At times with grace, at times mysteriously, this revue of a Japanese tale depicts the fate of the diviner and the magical fox, in conflict and drawn to each other over the course of reincarnations spanning a millennium. Outsiders in the Renaissance While Leonardo da Vinci is celebrated as an all-around genius, there is still much about his life that remains unknown. One theory is that the inspiration for his creations was his love for a woman. This production depicts the affection and hatred between da Vinci and the figures in his life.