I. / II. / III. / 2024

Originally shown as three separate films, I. / II. / III. is a triptych portrait of the most intimate proportions. Simple scenes within the domicile become completely entrancing as layer after layer of exposure unfurls onto itself. The movement of the leaves, the light, his father: all become hypnotic in this silent sonata.

□ I I II III III III II I I □ / 2020

The Pharmacist's house, the New System of Squares and the Pirrello house: three projects made for the town of Gibellina Nuova (Trapani, Sicily) by architects Franco Purini and Laura Thermes. A dialogue between three architectural projects: on fragmentation and accuracy.

William I, William II, William III / 1991

A portrait of Jaap's good friend Willem.

I-II-III / 1982

Three short formal films: image planes are projected on top of each other. The staggered and flickering images have been shot on Super8 film.

Panchromes I, II, III / 2014

T. Marie continues to explore the boundaries between painting and cinema with this new series of dazzling, time-based pixel paintings.

Vertieres I, II, III / 2015

The tenderness of the initial images presents young girls of a school class praying, in a chorus, verses that thank the Lord for “all the wonders performed”. The Battle of Vertières took place on November 18, 1803 in the former French colony Saint-Domingue, now Haïti, and resulted in the independence of the first free nation of Latin America and the Caribbean.

Montage I, II, III / 1967

Three short scenes: A drummer, a busy street and two lovers.

Staccato I, II, III / 1989

Love, sex and death in Paris. And why not? A series of three films, each built frame by frame but, depending on the subject, each using an individual structure. The whole series was done in the camera - nothing was cut, changed, arranged...

Wild Dead I, II, III / 1984

Two-channel video on four CRT monitors with soundtracks by Stuart Argabright and Michael Diekmann.

I II III IIII / 2016

Short film by Ignazio Fabio Mazzola.

Gradations I-II / 2020

Something of a neoclassical rendition of flickering celluloid abstraction, Tachick’s Gradations I-II pushes the in-camera edit to its limit.

exp. i-ii /

True Life Adventures I, II, & III / 2013

Using found sound from Disney's 1940-50s nature documentaries, this trilogy creates a mismatch between the digital image and historic/histrionic voiceover. It confounds traditional nature documentaries by adhering to strict time and spatial limits, and ratchets up false expectations about wildlife; continuity editing begins to break down to reveal a necessarily condensed representation of the natural world.

How I Unleashed World War II, Part III: Among Friends / 1970

Disguised as an Italian medic, Dolas finds himself on a ship evacuating wounded Axis soldiers to Italy. He leaves the ship disguised as a Nazi soldier, but is found out, declared a deserter and sent to the Eastern Front. However, on the flight to Russia, he is able to escape with a parachute, and finds himself back in Poland, now occupied by Nazis.

Les Chants (I, II, III, IV, V) / 1981

The first series of a film whose course is in parallel with the life of the author. Unlike a newspaper, however, any realistic, everyday element is excluded. Only one theme will carry through the whole work: the expectation of death, its presence at every moment of life, the inexorable advance of time which, hour after hour, day after day, season after season, marks every face, every body transforms every look, invests every place in its light, its forms, its colors, asserts itself in the face of what man believes eternal: the ebb and flow of the sea, the mass of rocks, their stone works.

Hennepin County Park I, II, III, IV / 1976

INTERLUDES I, II, III /

The trees Breathe & so do I

Saga do Lenhador Assassino (I, II e III) /

Inspired by "slasher films", these shorts stand out exactly for the creativity of Ruben Ferreira, creating an antagonist who uses his axe as a deadly weapon, while everything and everyone finds it very difficult to rid themselves of this once for all.

I - II - III - IV Pilares para um futuro / 2022

Fair And White: Parts I, II, III and Extra / 2010

“‘FAIR AND WHITE’ is the name of a line of beauty parlors in Paris largely catering to an African-French clientele. No-one apparently goes berserk seeing the signs. We were visiting Pip Chodorov in the Latin Quarter and found ourselves walking through a concentration of such establishments. I had my 3-D outfit, two small Vado video-cameras mounted side-by-side for the capture of stereo images. There is a law in France against photographing people without their expressed agreement, a decent law, right? And I broke it and I’ll break any such law that forbids memory, corpuscular or mechanical.” -Jacobs