Black and White in Colour / 1999

A vivid documentary portrait of Véra Bílá (1954-2019), a Gypsy singer acclaimed in the international music world. The film explores Romany culture and what it means to be part of a marginalized minority group. She was dubbed the Ella Fitzgerald of Romani music. The Czech singer enjoyed international success in the late Nineties when she was signed to the German record label BMG.

The Colour of White Snow / 1971

Migrant Girl's Colour / 1990

1990 Pink film directed by Kosuke Fujiwara.

A Colourful Dream / 2020

With humor our adventure story deals with the timeless theme of the conflict between unlimited power on the one hand, and the desire for freedom, courage and love on the other. A troupe of buskers lands on an island governed by a despotic ruler with strict police control. When, during their performance, a shot fired from a circus cannon goes astray, it triggers a series of unexpected events. A young man and woman, Drin and Tuvi, and Nathan the seagull have to enter into an uneven struggle with totalitarian power. A struggle which eventually changes the fates of all the island inhabitants - both human and feathered.

Light Pink Coloured Skirt / 1981

A guitarist of lower class musical troupe fails to get a job owing to his humble guitar. One day, he earns as much as 83,000 won, and is pleased to go back to his home. On the way to home, he helps Ok-Hee and her mother. But, Ok-Hee's mother steals the money and flees. On the following day, Ok-Hee asks him to return her mother. He and Ok-Hee take a trip here and there, and share sorrow and pleasure with some isolated persons. Ok-Hee steadily forgets the image of her mother who committed wrong things. Instead, Ok-Hee imagines good shape of her mother, which becomes her dream and life objective. In their journey up to the island Jukdo, Ok-Hee discovers that only her mother's light pink colored skirt is left.

The Last Colour / 2014

A cinematographic approach to the aesthetic and conceptual inspirations of the Chilean painter Guillermo Lorca. He also shared with us his artistic vision while painting a new piece, starting from scratch until the last colour. “El último trazo” (The Last Colour) invites us to reflect on death through art, and is the first documentary made by the Chilean filmmaker David Morales.

The Colour of His Shade / 2004

6 Is Not a Colour / 2012

A guy who just broke up with his boy, a woman with a perfect relationship and another guy with a relationship just about to broke are going to interrelate in Madrid.

The Secret of Colour / 2017

A short film about a young Muslim-Hindu couple who elope with the help of their best friend. As day breaks and reality sets in, the newlyweds must come to terms with the consequences of their marriage.

The Colour of Yearning / 2017

Cities and landscapes bear the desires of the residents. This restless fight for a fulfilled life in which we often stand in our own way. We long for love, recognition, freedom and a sense of home – but just as soon as we arrive somewhere, we long to return or to go somewhere else. It is this longing that drives us through life.

The Basics of Colour in Film / 1953

Documentary about colour and how it use in cinema/

Colour Note / 2022

A Coin the Colour of Battle Field Grey / 1917

Promotional film for War loans and bonds. Mother Froehlich sells her clock and send the money to her son fighting in war. Then they get attacked and someone else finds the lucky coin....

Structure, Balance, Colour / 1986

A documentary about context in modern painting. A modern painter is shown at his work and an insight given into modern figurative art and its conceptive origins. The film follows the painter Tryggvi Ólafsson at work, both in his homeland, Iceland, and in Denmark where he lives. The account is in part biographical where it helps to analyze an ongoing creative process as it emerges in the work of a mature artist.

Colourful Dream / 1983

Narasinga Rao’s debut is an existential melodrama with the director playing a romantic painter, Ravi, whose friends include a trade union leader (Kakarala), an autorickshaw driver, a Marxist journalist (Narayana Rao) and a glib, successful painter (Saichand) whose success contrasts with Ravi’s inability to sell his own work. His neighbour Kankamma, who rejects an evil landlord’s advances, is evicted from her house; the trade unionist is killed in police custody; and Ravi starts exhibiting his work on the streets to indicate his growing politicisation to the satisfaction of his Marxist friend. The film is geared to the CPI(ML)-led political movements in Northern AP and included the compositions and songs of the region’s best-known radical poet and performer, Gaddar.

In Colour / 2019

Musical drama about two teenagers. A story about love and accepting who you are and what the complexity of human relationships represents in a society where tabooes about sexuality and how relationships change constantly.

LIving Colour / 1961

During the 1960s, artist Eric Olson embarked on a series of works under the title Optochromi. The vast majority of these were plexiglass objects: most were sculptures although a few are formally closer to paintings. From a cinematic point of view one could describe the Optochromi sculptures as metaphysical colour animations frozen in time – so much so that modern composer Jan Wilhelm Morthenson made his film Interferences (1966), a tribute to 1920s abstraction à la Richter, with the use of Olson’s works. Gösta Werner did something similar five years earlier with Levande färg – only that he mainly circles the sculptures, and contemplates them more than he interacts with them. A respectfully curious distance is always kept.

The Colour of Olives / 2006

Like many Palestinian families, the Amers live surrounded by the infamous West Bank Wall where their daily lives are dominated by electrified fences, locks and a constant swarm of armed soldiers. Through director Carolina Rivas' sensitive lens, we discover the private world of all eight members of the family. As their dramas unfold, we catch a glimpse of their constant struggles and the small, endearing details that sustain them, including olive trees, two small donkeys and their many friendships. Constructed with a combination of verité scenes and re-enactments, this poignant and richly crafted film offers its audience a much needed opportunity to reflect on the effects of racial segregation, the meaning of borders and the absurdity of war