Trois portraits d'un oiseau qui n'existe pas / 1963

Portraits of a Young Eastern-European Jewish Orphan Girl / 2003

Portraits of a Young Orphan Jewish Girl from Eastern-Europe (2003) is a very short film, a confirmation of the possibility of creating cinematic masterpieces with an non-existent budget. The charming portrait of this young girl is sublimated with incessant tender zooms in and out on her face and her discreet smile, to accordion music. It’s a portrait-film, a dream-like film that has no contemporary equivalent to its formal and symbolic content. It is not a declaration of love, but a brief moment of admiration for beauty and the noble side of human nature.

Three Portraits / 2021

Three portraits made under similar circumstances.

Atrophy Portraits III / 2020

The history of traditional portraiture was about status and branding. With Atrophy Portraits we break down the layers of constructed perfection. These films are an exploration of power and submission, how the boundaries between those roles might initially seem fixed but can be more fluid. What it means to be the subject, to be observed and to meet that gaze. This film is a portrait, designed to be watched on a portrait screen, for example your phone. A portrait needs a frame and our screens are our frames.

Tamayo Portraits / 2016

Omnibus film about a museum

Sketches and Portraits for Jean-Michel / 2018

“Sketches and Portraits for Jean-Michel was photographed on the streets of Brooklyn and Manhattan, two areas familiar to Basquiat, and visually explores many of the themes and influences found in his paintings: street life, street art, politics, jazz, bodies in motion, bodies at rest, life, death, and black resilience.” – The Barbican

Silly & Serious: The Self-Portraits of William Robinson / 2008

One of Australia’s leading landscape artists, William Robinson has twice won the Archibald Prize for his self-portraits. SILLY & SERIOUS presents Robinson at work, playing Debussy, and discussing his work: his love for old Laurel and Hardy movies; how humour and sadness can exist in the same portrait

Beyond 9/11: Portraits of Resilience / 2011

The untold stories from 40 men and women who led America, moved the nation, and sacrificed for it, in the hours, days and months that followed Sept. 11, 2001.

Portraits: Deuxième Série / 1991

"These portraits are encounters I wanted to be kept from oblivion, even if it is only while you are watching them. They are women who work, who have children, and who, at the same time, keep their independence of mind. I shot 24 portraits of 13 minutes each. I have chosen this short running time for several reasons: not becoming a bother, escape tv adds cuts, shoot the movie quickly, in one pace and without too many scratches. I am not a documentaries maker. I am more like a faces, hands and things lover. To show reality is not my goal. “Reality” is just a word, just like its twin sister “fiction”, which I practice as well, but with a different delight." (Alain Cavalier)

Portraits of Two Artists / 1982

Features master painters Hughie Lee-Smith and Jacob Lawrence. In addition to visual sequences of the artist's work, the program includes an inside look at a class taught by Lee-Smith at New York's prestigious Art Students League; both artists working in their studios; a trip by ferry to an island in Puget Sound where Lawrence works on a commissioned mural; and an animation of the illustrations from Lawrence's children's book "Harriet and the Promised Land". From the collection of the Black Resource Center at the County of Los Angeles Public Library. https://archive.org/details/portraitoftwoartistscompton

Portraits: Première Série / 1988

"These portraits are encounters I wanted to be kept from oblivion, even if it is only while you are watching them. They are women who work, who have children, and who, at the same time, keep their independence of mind. I shot 24 portraits of 13 minutes each. I have chosen this short running time for several reasons: not becoming a bother, escape tv adds cuts, shoot the movie quickly, in one pace and without too many scratches. I am not a documentaries maker. I am more like a faces, hands and things lover. To show reality is not my goal. “Reality” is just a word, just like its twin sister “fiction”, which I practice as well, but with a different delight." (Alain Cavalier)

Into the Night: Portraits of Life and Death / 2017

We don’t know how. We don’t know when. But death comes for us all. To be human is to wrestle with this truth and with the great unanswered question: How do we live with death in our eye? We can deny, we can rail, we can challenge, we can accept. What is our story, and will it sustain us at the end? “Into the Night: Portraits of Life and Death,” a two-hour documentary, features men and women of uncommon eloquence and intelligence who are grappling with these questions. For them death is no longer an abstraction far off in the future, it is real. They come from all walks of life, all ages, dying and healthy, believers and unbelievers, well known and obscure. These are people who have been shocked into mortality and are forever changed. They have stories to tell, and we can listen and learn from them.

Portraits of Sari / 2007

Adapted from local author Orla Loughlin's short story of the same name, Portraits of Sari depicts the journey of Steven McNarma encountering the reigns of independence for the first time. As he leaves a sheltered home live behind and enters the prestigious Philadelphia Art Academy, Steve must pursue his aspirations despite pressure and competition from his classmates, including the beautiful and astute Sari Phillips. At home, Steven's mother, Cynthia, struggles to deal with the first major separation from her son. She copes by trying to instill ambition and determination by helping him enter the illustrious university art contest with the Philadelphia Museum of Art. Through forced encounters Sari and Steve learn more about each other, growing together into their new world. As pressure mounts and the contest date looms closer, Steve and Sari go head to head. Will Steve succeed and win, or will Sari take everything he ever wanted?

The Portrait’s Secret /

A true story, with multiple short stories that show human rights violations and economic exploitation within religious and government institutions.

Reverse Television - Portraits of Viewers / 1984

"Reverse Television" was created in the mid-1980's by video artist Bill Viola. The 30-second portraits were about portraiture and the idea of a person staring at the viewer (as the viewer stares at the TV screen). Conceived of as a "micro-series," the work features 42 30-second portraits of television viewers in their living rooms. The portraits appear very formally composed, with attention paid to composition, lighting, and color. The viewers sit quietly, only occasionally making a slight shift in position. No external sound score has been added, so that the only sounds heard are sync sounds that have been heightened. These sounds include viewers' clothing when they move, swallowing, and background noises, such as traffic outside the viewer's home or a dog barking in the distance.

Lucian Freud: Portraits / 2004

Filmmaker Jake Auerbach decides to offer a description of his friend Lucian Freud that's more truthful than the common media image by asking a number of people who have sat for Freud's portraits to share their experiences with the camera. They include several of Freud's friends and daughters, and the film becomes a depiction not only of his art, but also his private persona. Lucian Freud does not appear, with the exception of a brief shot at the end of the film.

Ego: The Strange and Wonderful World of Self-Portraits / 2010

Laura Cumming takes a journey through more than 500 years of self-portraits and finds out how the greatest names in western art transformed themselves into their own masterpieces.

Two Portraits / 1982

A portrait of the director's father, Tommy Thompson, and mother, Betty Thompson, each with their own section.

Portraits The Americans

L'amour est dans le pré - Les portraits (2005)