Hai cercato: Carny

Have a Nice Carnival /

Matheus, a young man with self-steem problems, goes to his grandmother's house to spend the carnaval with his family. There, he sees his old friends and finds himself atracted to a mysterious masked person who will send him on a journey of self discovery that will change his relationship with his father.

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The Carnival / 1990

Preparations for a carnival are under way in a Bulgarian town. People are very excited. They are head over heels in the forthcoming celebration and gradually, they lose their self-identities and adopt that of masks they put on. All of a sudden, a Stranger lands in the little town. Coming from another planet, he has the ability to impersonate the true image of everyone who violates another man. Misunderstandings and comical situations succeed each other. Quite a number of 'bad guys' come out...

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Scruff: Cinderella's Carnival / 2010

Scruff discovers a small glass shoe buried in the snow. It looks so much like Cinderella's lost shoe, and he sets out to find its owner to discover who this Cinderella of Navell was.

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CA. CA. (Cannibal Carnival) / 2023

A festival of digestion on many scales, from planetary to microbial.

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Graduation M: Our Carnival / 1999

Kato, Shimura, Arai, Nakamoto, and Takagi are friends at an all-boys boarding school. After they get tricked by their school government president, the five must put on a performance of the play "Little Women."

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Carnival! - We Are Positively Wacky / 2013

When radio host Milla (Katrin Bauerfeind) tells Sharronda, a listener to her new Break-up Show, live that her boyfriend Mufti doesn't want anything more to do with her, Sharronda (Alina Levshin) runs amok, raids the flower shop she used to work in, takes her ex-boss hostage and threatens to kill herself. To calm the situation, psychologist Lisa (Barbara Auer) disguises herself as a chemist and goes to the flower shop with the ransom money, only to learn from Sharronda that her brothers are right-wing radicals. Might they have forced her boyfriend to split up with her? A brand-new episode of Lars Becker's hit series.

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Life is a Carnival / 1975

A group of talented youth exploited by the head of a gang in his suspicious work while a dance coach tries to make a band of them.

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Carnival: Looking for Paulo 'Miller' / 2008

A 2008 short made in accompaniment with Our Beloved Month of August, documenting Gomes's and his crew's hapless search, during 2007's carnival, for one of Arganil's most storied and elusive characters (who does, in fact, ultimately appear as an interviewee/player in the finished film). Paulo "Miller" is known for taking a dangerous jump into the Alva from a bridge each year during carnival, but what this film is about is, in keeping with the free-roving feature, much less the subject himself than Gomes and co.'s inability to pin him down; not only does he not do his famous jump during this year's carnival, but an ostensible technical/audio failure (as with the feature, it's very difficult to say how much of this film is "fact," how much invented) during Gomes's initial on-camera meeting with Paulo "Miller" leads to five minutes of lip-readers attempting to decipher their conversation.

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Carnival of the Animals / 2006

Men and women, all dressing up, awaiting, tempting, enjoying the bliss or sadly unsuccessful. Delights of the body, yearning, excitement, luxury, decadence, erotic of the common day. The erotic as frivolous, mischievous, frolic, comic and sometimes also slightly serious animated musical erotic fantasy. Much like the modern dance art, the film is marked by interplay of the visual and musical components – picture, rhythm, color, motion. The film consists of separate sequences, each of them accompanied by individual musical movements of Mr. Saint-Saens’s composition.

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The Carnivals of Life — An Introduction to the Festivals of the Yiche People / 1986

This early Chinese ethnographic film documents festivals of the Yiche people of the Hani ethnic group -- their folklore and cultural phenomena, such as reproductive worship dance; their collective socializing on festival nights and marriage customs; and the "haruzhe," which has both characteristics of blood sacrifice and prayer, a ritual to offering for a good harvest. The directorial debut of documentarian Hao Yuejun, the film uses the language of documentary but with a specifically ethnographic focus on history and customs, and is recognized as an important historical work in its own right for 'restarting' ethnographic filmmaking after the end of the Cultural Revolution; in fact, this particular method of had never been used in China before.