My Father's Tracks / 2021

Taiga Kitamura, who was separated from his mother at an early age, believes that his father's selfishness in devoting himself to the rally hastened her death, and leaves for Tokyo upon entering university. While aiming to become an actor but feeling vaguely dissatisfied, he receives the sudden news of his father's death from his childhood friend Miho Uechi who lives in his hometown.

My Father’s Studio / 2023

The rare film material discovered in the basement of the well-known photographer Takis Tloupas in Larissa, was a real treasure. This gave the director the motive to look for the man and his work. Guided by his daughter Vania, the crew record his artistic course, while at the same time forming an anthropogeography of Thessaly of the last century.

My Father's House / 2011

Our family lives in Eunma Apartment in Gangnam, Seoul Korea. My father, whose business had got tough, had borrowed money using the house with security. Monthly interests has become a bit too much for him, but he never thinks about selling the house, expecting that the price of the house might go up. I don't quite understand him. But as time goes by I get to know our family's economic situation, and as I can fee his anxiety about the price of the house I am also being uneasy. Could he ever sell Eunma Apartment?

My Father's Bride / 2005

Chinese movie

In My Father's House / 1997

Journalist Fatima Jebli Ouazzani wonders whether she made the right decision in rejecting traditional Moroccan marriage.

Who's My Father? / 1994

A tale of a single mother trying make ends meet.

My Father's Son / 2018

At the heart of this film are two extraordinary characters. It is a mystery how director Hillel Rate managed to persuade them to let the camera so close, to invite the filming crew into their home and share their most private moments. Moshe Mishuris, a 37-year-old lonely Ashkenazi Jew came from Russia with his elderly father, and now they live together in one tiny apartment. Their main source of income is donations from the audience of their YouTube channel, where they talk about Judaism in Russian. Moshe is single, he had proposed to different women twice, but it didn’t work out. When he goes to the matchmaker and it’s hard to tell whether he is hoping to get together with someone or is fearing it. The most unexpected thing is that the film is open-ended. The director leaves Moshe perplexed, but not alone because in any case he stays with his father, a man who is almost a saint and dedicated his entire life to his faith.

My Father’s Son /

A teenager wandering around the city after the death of his father.

My Father's House / 1947

David, a child refugee from Nazi-occupied Poland, arrives in Palestine and begins a search for his father who promised to meet him there after the war.

On My Father’s Grave / 2022

Maine and her family are accompanying her father’s coffin to the small Moroccan village where he is to be buried. Tomorrow, the men will take the body to the cemetery while the women, in accordance with tradition, wait at home. That is not something Maine can accept, however. She is determined to go with her father to his final resting place.

My Father's House / 2011

Explores the growing African migrant community in Southern China through the turbulent history of a church founded by a Nigerian missionary.

My Father's Studio / 2008

In November 2001, Quebec Painter Edmund Alleyn (1931-2004) agreed to be filmed in his Montreal studio by his daughter, filmmaker Jennifer Alleyn. There, something unexpected happened : an authentic encounter, with no beating around the bush, no mask. From a few existential questions –about life, painting, death- thruth emerged. The artist died of cancer in December 2004 before Jennifer could film him again. After inheriting his studio, she found herself in this sacred space, still imbued with the presence and imagination of her father. Her film is an attempt to prolong the dialogue, to find the missing fragments of her father’s life. Edmund Alleyn was an intense and complex man of integrity who left his mark on Canadian art history.

In My Father's House / 2021

In 1982, a fourteen-year-old movie fanatic from an underprivileged family in the Municipality of Manapla coincidentally witnesses the production shoot of Oro, Plata, Mata in his hometown. Full of determination he approaches the director, Peque Gallaga, in the hopes of landing a job that would help in providing for his family, and feed his passion.

With my father's permission / 2023

This short film tells the story of what happened after 30 years of Iran-Iraq war. A girl who, after 30 years of missing her father's body, on her wedding night, her father's body also arrives at her daughter's wedding ceremony.

My Big Fat Father / 1992

Summer of 1959. 11-year old Osvald spend his summer holiday with his parents in the countryside of Södermanland. His father has promised to play soccer with him and get some exercise. He also promised the locals to teach the church choir an Argentine mass. The father has a slight alcohol problem, so will he be able to do it?

Mio padre Monsignore / 19715.52 voti

Nel 1870, la liberazione di Roma fa da sfondo alle vicende di due amici, che si separano; uno rimane a casa, mentre l'altro, convinto di essere figlio di Vittorio Emanuele, scende in battaglia.

A Letter to My Father / 2012

Father and son review the problems in their communication that have been accumulating in years. The son cannot get rid of fears that his life is being a true copy of his father's projections of his future, so he shoots a video letter with his amateur camera in which he tries to make his father look bad and present the evidences that would indicate how he became a much better person than him.

Rivers and My Father / 2010

A subtle combination of documentary and fiction filmmaking, Luo Li’s remarkable Rivers and My Father was inspired by stories from his father’s childhood. Li inventively structures sound, image and narration, evoking the ways in which memory operates.

My Father and Mother / 1997

Portrait of My Father / 2022

Juan Ignacio Fernández Hoppe was just eight years old when his father’s body was found on a beach. His mother, a psychiatrist, decided an autopsy was unnecessary, even though his father had been depressed and had psychiatric medication among his belongings. Thirty years later, the filmmaker tries to find out what happened, who his father was and how his mother arrived at her decision.