Hai cercato: Lieben

Opus & Friends-Graz Liebenau 1985 / 2013

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Precious – Liebenswert /

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Love Living, Live Loving / 1977

The gentle inhabitants of a quaint Berlin apartment house, damaged by the Second World War but possessing an elegance of its own, love the place where they live, with its motto Liebe das Leben-Lebe das Lieben (Love Living, Live Loving) emblazoned above the door. Their love for it only increases when they learn that it is threatened by a bank redevelopment project. Among the apartment-dwellers are an elderly couple (Brigitte Mira and Erhardt Dhein) who have toured the world together.

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Diary of a Lover / 1977

A diary of a lonely 30 year old man who works as a butcher in a supermarket. The movie shows his daily life between the supermarket and his flat. His ability to communicate is limited. From time to time his mother visits him. But his relationship to her is rather reserved. Constantly he's waiting for his girlfriend which is not visiting him anymore after they had a fight.

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Of Loving and Lying / 2019

"Of Loving and Lying" is first and foremost about love. Director Annina Furrer traces our need for deep, lifelong connection in marriage and partnership and examines the widespread desire and claim for sexual fidelity. In doing so, she encounters a reality full of slips, flings and secret love affairs, in a world of dreams, longings and fantasies. How it is that practically all couples hold the concept of fidelity so dear and yet a surprisingly large number do not adhere to it? If we really want to love and grow old together, shouldn't we perhaps leave behind entrenched ways of thinking? Overcome inveterate possessiveness and strive for a new concept of fidelity? A fidelity that is not necessarily understood as sexual fidelity, but as trust, tenderness, honesty and freedom that we give each other as lovers?

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Cecelia Ahern: Dich zu lieben / 2018

Claire Lynam, restorer in Dubliner City Gallery, loved banker Mark Gallagher, who dies in a car crash. Not even pregnant buddy colleague Fiona Sullivan can divert Claire. Since Claire painted Mark's portrait, he appears to her. Claire clings to this illusion. Fiona drags her to an opening party of Sean Bennett's artistic furniture shop. The former arts teacher approaches Claire as would be artist and as woman. Claire discovers she must let go. As the crash trial approaches, Marks parents Gerald and Vera Gallagher contact his ex. Discovering Sean caused Mark's fatal accident, Claire breaks up and plans to emigrate to the USA, but Fiona reminds her of godmother promises.

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Die nicht lieben dürfen / 1917

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Frauen, die nicht lieben dürfen / 1925

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Junge Leute wollen lieben / 1971

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Fassbinder: Love Without Demands / 2015

Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled, as well as a body of unique, multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s.

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Everyone loves Mickey, Donald, Goofy / 2003

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How I Learned to Love the Numbers / 2014

How I Learned to Love the Numbers is a New York film and at the same time the study of a young man suffering from an obsessive-compulsive disorder (OCD). The Berlin filmmaker Oliver Sechting (37) and his co-director Max Taubert (23) travel to New York with the idea of documenting the art scene there. However, the project is quickly overshadowed by Oliver's OCD, and the two directors fall prey to a conflict that becomes the central theme of their film. Encounters with such artists as film directors Tom Tykwer (Cloud Atlas), Ira Sachs (Keep The Lights On), and Jonathan Caouette (Tarnation) or the transmedia artist Phoebe Legere seem more and more to resemble therapy sessions. At last, Andy Warhol-Superstar Ultra Violet succeeds in opening a new door for Oliver.