Carnival in A Major / 1955

Réminiscences carnivores / 1989

Created during a workshop focussing on the representation of the human body at the 2nd Video Biennial in Medellin, Colombia, Réminiscences carnivores engages the imagination and all of the senses. Memories of an incestuous relationship come to the surface as the apprehensive narrator waits for a reunion with his brother. With readings from Augustin Gomez-Arcos, Gide and Verlaine, the work has the rich texture of a cameo.

Orange Range Live Tour 016-017 Okagesamade 15 Shunen! 47 Tokoden De Carnival At Nippon Budokan / 2017

Orange Range's 15 year anniversary tour that they played through all 47 prefectures. This concert was performed at the Nippon Budokan.

Street Carnival - Porto Alegre / 1959

It records the festivities that, at the time, took place in the heart of the city, at the meeting of Rua dos Andradas and Avenida Borges Medeiros.

Carnivore / 2021

Mother wakes up in the middle of the night, disturbed by noises coming from her daughter Angela's room. When she gets there she realizes that her daughter isn't acting normal.

Carnival in Bissau / 1980

Documentary short that explores the meaning of the locals’ African identity through the Carnival festivities.

Ivan Mosjoukine, or the Carnival Child / 1998

The brilliant and dramatic fate of the great Russian actor Ivan Mozzhukhin, who became a star of French cinema, against the background of the life of the European Bohemians of the 1920s and 30s. Love and business correspondence, photographs, notebooks, documents of the actor are presented on the screen for the first time.

Terror Of The Killer Carnivorous Coat / 2011

A group of friends struggle for survival as they are faced with the ancient, demonic evil of - the killer carnivorous coat.

End of Carnival / 2018

The Child of the Carnival / 1921

A foundling is left in front of the home of a rich aristocratic bachelor during the Nice carnival. The marquis adopts the child but soon finds that he cannot cope, so he employs a nanny who turns out to be the child's real mother. Just as the two have fallen in love and there is a happy ending in sight, the woman's husband - long thought dead - turns up.

Have a Nice Carnival /

Matheus, a young man with self-steem problems, goes to his grandmother's house to spend the carnaval with his family. There, he sees his old friends and finds himself atracted to a mysterious masked person who will send him on a journey of self discovery that will change his relationship with his father.

The Carnival / 1990

Preparations for a carnival are under way in a Bulgarian town. People are very excited. They are head over heels in the forthcoming celebration and gradually, they lose their self-identities and adopt that of masks they put on. All of a sudden, a Stranger lands in the little town. Coming from another planet, he has the ability to impersonate the true image of everyone who violates another man. Misunderstandings and comical situations succeed each other. Quite a number of 'bad guys' come out...

Scruff: Cinderella's Carnival / 2010

Scruff discovers a small glass shoe buried in the snow. It looks so much like Cinderella's lost shoe, and he sets out to find its owner to discover who this Cinderella of Navell was.

CA. CA. (Cannibal Carnival) / 2023

A festival of digestion on many scales, from planetary to microbial.

Graduation M: Our Carnival / 1999

Kato, Shimura, Arai, Nakamoto, and Takagi are friends at an all-boys boarding school. After they get tricked by their school government president, the five must put on a performance of the play "Little Women."

Carnival! - We Are Positively Wacky / 2013

When radio host Milla (Katrin Bauerfeind) tells Sharronda, a listener to her new Break-up Show, live that her boyfriend Mufti doesn't want anything more to do with her, Sharronda (Alina Levshin) runs amok, raids the flower shop she used to work in, takes her ex-boss hostage and threatens to kill herself. To calm the situation, psychologist Lisa (Barbara Auer) disguises herself as a chemist and goes to the flower shop with the ransom money, only to learn from Sharronda that her brothers are right-wing radicals. Might they have forced her boyfriend to split up with her? A brand-new episode of Lars Becker's hit series.

Life is a Carnival / 1975

A group of talented youth exploited by the head of a gang in his suspicious work while a dance coach tries to make a band of them.

Carnival: Looking for Paulo 'Miller' / 2008

A 2008 short made in accompaniment with Our Beloved Month of August, documenting Gomes's and his crew's hapless search, during 2007's carnival, for one of Arganil's most storied and elusive characters (who does, in fact, ultimately appear as an interviewee/player in the finished film). Paulo "Miller" is known for taking a dangerous jump into the Alva from a bridge each year during carnival, but what this film is about is, in keeping with the free-roving feature, much less the subject himself than Gomes and co.'s inability to pin him down; not only does he not do his famous jump during this year's carnival, but an ostensible technical/audio failure (as with the feature, it's very difficult to say how much of this film is "fact," how much invented) during Gomes's initial on-camera meeting with Paulo "Miller" leads to five minutes of lip-readers attempting to decipher their conversation.

Carnival of the Animals / 2006

Men and women, all dressing up, awaiting, tempting, enjoying the bliss or sadly unsuccessful. Delights of the body, yearning, excitement, luxury, decadence, erotic of the common day. The erotic as frivolous, mischievous, frolic, comic and sometimes also slightly serious animated musical erotic fantasy. Much like the modern dance art, the film is marked by interplay of the visual and musical components – picture, rhythm, color, motion. The film consists of separate sequences, each of them accompanied by individual musical movements of Mr. Saint-Saens’s compo­sition.

The Carnivals of Life — An Introduction to the Festivals of the Yiche People / 1986

This early Chinese ethnographic film documents festivals of the Yiche people of the Hani ethnic group -- their folklore and cultural phenomena, such as reproductive worship dance; their collective socializing on festival nights and marriage customs; and the "haruzhe," which has both characteristics of blood sacrifice and prayer, a ritual to offering for a good harvest. The directorial debut of documentarian Hao Yuejun, the film uses the language of documentary but with a specifically ethnographic focus on history and customs, and is recognized as an important historical work in its own right for 'restarting' ethnographic filmmaking after the end of the Cultural Revolution; in fact, this particular method of had never been used in China before.