Hai cercato: Black. White.

Wadjemup: Black Prison White Playground / 2014

Black Prison White Playground. Wadjemup/Rottnest Island. A beautiful place that is culturally and spiritually significant to Aboriginal people. And also a site where gross harm took place and hundreds of Aboriginal men are buried in unmarked graves.

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Dennis Miller: Black and White / 1990

Dennis Miller does a standup routine in Tempe, AZ which is filmed entirely in black and white.

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Billy Joel: In Black & White / 2022

Billy Joel si presenta al Faena Theater di Miami Beach, in Florida, per parlare della sua vita, dell'arte di scrivere canzoni e della sua musica. Rivela il suo amore per la musica classica e per il jazz quando era bambino ed esegue canzoni di ciascuno di questi generi. Billy interpreta il classico di Elton John Tiny Dancer e Whiter Shade of Pale dei Procol Harum. Canta anche una versione soul di Georgia On My Mind e rende omaggio a Ray Charles. e a come i Beatles lo abbiano influenzato.

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BLACK AND WHITE TV / 2019

Black and White TV is a movie directed by Sukhpal Sidhu featuring Gurmeet Sajan, Prakash Gadhu.

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Black and White Bathroom /

Stop motion

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Between Black and White /

The hero embarks on an inner journey in search of his childhood self, hoping to find the courage to face his fears and come back to life.

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Black & White in Colors /

Is reality a life long dream? This movie has a perspective on that.

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Black and White Ballets / 2001

Six abstract ballets by Jiri Kylian: Sarabande with music by Bach, Petite Mort with music by Mozart, Sweet Dreams with music by Webern, No More Play with music by Webern, Falling Angels with music by Reich, Six Dances with music by Mozart.

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Black Noise White Silence / 2009

Part of the Optofonica #1 series

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In Black and White / 1979

Two young men, one married and the other an “out” seventies clone, meet in a public toilet and have hot sex, but they’re caught through video surveillance.

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Brownsville Black and White / 2000

Brownsville Black and White is the story of sixty years of Black/Jewish relations in the Brooklyn Community of Brownsville. The film is a poignant examination of group cooperation, urban change and social conflict as told through the personal histories of those who lived there. Brownsville is the first of two films dealing with inter-ethnic relations in the U.S., left unfinished after the untimely death of the director Richard Broadman. A small group of friends and colleagues completed the film after his death.

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The Black and White / 1969

Two older women chat over a meal.

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In Black And White / 1992

Until the rise of the Civil Rights movement in the 1950s, black and white audiences in America had to use separate movie theatres. In 1916 a new industry had begun with the first "all coloured" film, made as a protest against D W Griffith's Birth of a Nation. Director Russ Karel 's documentary charts the development of the independent African-American cinema movement through the eyes of the segregated audiences and tells of the fate of those opposing that dehumanising social order, including Paul Robeson and Josephine Baker , during the McCarthy era.

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Black on White Tape / 1975

Black on White Tape begins with the camera pointing down at the floor where a roll of white tape is laid on top of a roll of black tape. Haxton enters the frame, picks up the white tape,and beginning at the lower left of the frame, tapes a line up along the left frame. He draws a line on the right,and then horizontal lines at the bottom and top, making a trapezoid. The re-iteration of horizontal and vertical frame lines inside the picture emphasizes the flatness of the projected image against the three-dimensionality of the experience of the room interior. There appears to be perceptual distortion: the top horizontal is wider than the bottom one, destroying the conventional perspective of spatial representation and reinforcing the flatness of the frame. This equivocation between flatness and spatiality is intensified by a cut to negative.

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Black and White Drawing / 1976

Black and White Drawing is about the two dimensionality of the film frame and the illusion of three dimensionality created by drawing. A sheet of gray paper is placed on the floor front of the camera. The film switches to negative: the paper is now darker, a different shade of gray. Haxton sketches in with "black" chalk black areas in wavy lines and goes over and over them, making them more solid. He leaves the frame. There is a cut to positive image: the chalk draws along the first areas, uniting them into a single shape that looks somewhat like a twig or a tuning fork with one short leg which appears at first to be equal in length to the other. Haxton uses the conventions of shading as "shadow" to make the white areas look like volumetric or perspectival extensions of the black: the drawing seems very object like.

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Black Rain White Scars / 2014

Black Rain White Scars depicts a twilight of reality. With the steady shot of a Gotham-like cityscape, Lukas Marxt guides us between vestiges of visionary architecture and narrow planted apartment buildings. As we’re searching for our relational point within it, the overwhelming murmuring of the human, car, and boat traffic, at the same time marginalises our position. We are a part of the scenery, though secluded and apart from it.

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Black and White Tapes / 1975

Black and White Tapes derive from a series of performances Paul McCarthy undertook in his Los Angeles studio from 1970 to 1975. Conceived for the camera and performed alone or with only a few people present, these short performances use video to articulate both monitor and studio space.

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Black and White Film / 1969

“For Black and White Film, Huot created his own photographic imagery for the first time. After a few moments of darkness, a young woman (Sheila Raj) lowers a covering of some kind, slowly revealing her naked body. She reaches outside the circle of light, which illuminates only her silvery form, scoops up dark paint, and, beginning with her feet, gradually paints her entire body. When she has become invisible except for the faint sheen of the paint, she drops her arms, looks straight ahead, and the film fades to total darkness. The serenity of the film, which is structurally reflected by Huot’s presentation of the action from a single position in a single take, its sensuality, and the aura of ritual it creates (Raj always moves in a formal way and, except when she needs to look for the paint, looks modestly down) make Black and White Film a quietly haunting work.”—Scott MacDonald, “The Films of Robert Huot: 1967 to 1972”, Quarterly Review of Film Studies, Summer 1980.

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Red White Black & Blue / 2006

In a secret battle that cost thousands of lives but was never revealed to the American public, the Japanese army invaded Alaska in June 1942. Sixty years later, two veterans embark on an intense and emotional journey, returning to their former battlefield.