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Film oggi in TVHai cercato: The Surface
Frozen Surface / 2024
Guan Yu, who was a soldier, has a meticulous mind, rigorous style, and extremely hard physical and mental quality. He has solved numerous major and small cases. From a simple and fierce little white criminal policeman, he has grown all the way to a wise and experienced Lanhe County Criminal Police Team Captain. Guan Yu's physical condition went from...
Conosciuto per: Chuck (SERIE TV 2007), C'è sempre il sole a Philadelphia (SERIE TV 2005)
Surfactant / 2024
When Putin called on Russians to kill Ukrainians in his war, Anton Shmakov found himself at a crossroads; he could stay in Russia and wait for the summons, or answer his own call and create art. The titled dancer chooses the latter. Leaving the plastic theater in the past, Anton becomes one of tens of thousands of Russians who decided to try their luck in Kazakhstan.
On the Sly / 2018
Franck, a former young hopeful at the Nantes soccer club, has stayed on to help the team for ten years after an injury,but becomes especially frustrated when he meets a seductive young woman.
Submarine Ro Hasn't Surfaced / 1954
Japanese war film.
Hard Surfaces / 2017
A renowned photographer, Adrian's unique style of shooting drug addicts has made him a local-celebrity. But there is a problem; life imitates art as Adrian parties hard with trophy-girlfriend Liz to drown out a painful past. When his sister suddenly dies, leaving him sole guardian of her 9-year-old daughter, Adrian must face his deepest secrets.
Surface / 2022
Barely 20 years after the Sydney Olympics when water polo was first opened to female athletes, Canadian national team polo players are getting ready for the Tokyo Games, following paths barely trodden by their predecessors. Aiming to be both immersive and contemplative, this documentary transports the audience in the middle of a match, on the players' bench, between the stands and the surface.
Surfaces / 2021
A camera. Landscapes in which dirt tracks barely hide the mass graves and in which the bodies of the ‘disappeared’ flow down the river. With an incisive tone, Cristina Motta calls for the memory of the people who fell victim to the violence in Argentina and Colombia, two territories she holds dear.
Affiorare / 2022
The viewer is immersed in the daily life of mothers and kids living in prisons and custody institutions for inmates with their children.
Creation Between Two Surfaces / 2019
CREATION BETWEEN TWO SURFACES A Film By Hossein Rajabian Statement I've tried my best to make a film about wisdom, rather than insanity. I firmly believe that we may not believe in wisdom and that's why we continue to live in madness. We have to admit that almost all of us are - one way or another - the inheritors of our predecessors' insanity. To get rid of madness, we have taken a big gamble - i.e. thinking - in our lives. Hossein Rajabian
Surfaces / 2020
A flat tire leaves Elanio and his brother Mirlo, two female traffickers, stranded in the middle of nowhere. While Elanio seeks help, Mirlo, surprisingly, meets Alondra, a young village girl who is willing to help them if they take her to Mexico City.
Surface Glaze / 2015
The short experimental film as an installation captures multiple abstractions of human bodies and transform those with torrents of liquids into unreal creatures. Each frame is composed to raise questions about our concepts of superficiality by deploying extreme technical features as high speed recording and close-ups. These techniques - borrowed from the symbolic language of consumerist culture - are used to expose the cracks in the smooth surface of the canvas for capitalized dreams.
Surface of Memory, Memory on Surface / 1999
This film is based upon the form of an individual’s diary. Jangwook created new images using several chemical treatments on the film surface while using footage of his daily life. These serial works begun from trials that Lee had communicated, seeking to re-construct his own memories, where the ‘mind’s eye’ become connected with the ‘camera’s eye’ and with film itself. In doing so the film is a conversation with personal documentary and everyday practice at the darkroom.
Water Surface / 2020
A woman is waiting for a man from prison. He comes back to others.
Surface / 2007
No matter how calm the surface of the ocean appears to be, each time we cross the line that divides land and water we enter an unknown and unexpected world. Does our world remain the same when we come back on shore?
Koukou ~ Dazzle of Surface / 1986
Roofs of tin and tile, passing by trains and cars, walls of modern buildings – surfaces of solid objects and those of soft, such as water – sunlight evenly shines on both those surfaces. These lights change into various expressions with the characteristics of the objects they reflect on. By controlling light, Hirata exaggerates the reflecting rays. This act purifies the light itself and is solely an attempt to abstract the world of vision that is formed by the reflecting of radiant energy. The power of the beam is relative to that of the filmmaker's gaze. The rays eventually gather, become a mass, and repeat intense expansion and contraction. At this moment, Hirata, using light as the medium, is facing this world with complete precision.
flatness surface mutation shift: i hand out flesh to you, you will manage it / 2020
The film, collected from various views and shrunken feelings, is our common space for collectivity and queer kinship. We are all there, scrambling out of the cinema form and once again slipping away to there. The collage method of gluing us together: a mutating, holding, non-solidifying form of people. We refuse to panic. It is difficult for us to maintain a critical distance from the intimate, extracted, and repackaged in relation to other material. Film as a message, film as a community, film as a form of interaction at a distance. We are led by Zhuzha, devices, and touch, which we were so lacking in quarantine.
Dove vedere in streaming flatness surface mutation shift: i hand out flesh to you, you will manage it
Surfaces, Perpelleristic / 1930
Experimental short by Heinrich Brocksieper.
