Don't Text Back / 2020

A woman seeks the help of an energy healer to rid herself of a cursed necklace that strangles her every time she doesn't text back her bad Tinder date.

Michelle Carter: Love, Texts & Death / 2021

When police discover 18-year-old Conrad Roy dead in a Massachusetts parking lot, they are faced with an unprecedented investigation; the discovery of troubling text messages forces them to wonder if the death is suicide or something more sinister.

Not in Textbooks 2 / 2016

In the second part of this manga adaptation, Tairaku Arihiko, who is a teacher at a local high school, lives with his student Shirakaba Aya and things are becoming steamier. As she becomes aggressive with her love for him he has to navigate his responsibility and job, his cute student and her thug father.

Textiles / 2001

Michel is a funny boy, a kind of intellectual. With Pauline, a very beautiful girl he met on the beach, they are going to get naked and discuss surrealism, sincerely and without trickery. But who are they really?

Texture of Skin / 2007

This atmospheric drama follows photographer Min-woo, who enters into a torrid affair with a now-married ex-girlfriend, although he is distracted by a building obsession with the tormented ghost of the young woman who used to live in his apartment.

The Orb's Adventures Beyond the Ultraworld: Patterns and Textures / 1992

The Orb's Adventures Beyond the Ultraworld: Patterns and Textures is a 1992 video by the UK electronic music collective The Orb. It was filmed and recorded at a live performance at Brixton Fridge, London, 12 May 1991. A limited edition of the original UK VHS tape release came with a bonus CD (catalogue number ORBFREECD1) of the soundtrack. The soundtrack was also included as a bonus disk on a limited edition of the initial UK vinyl pressings of U.F.Orb.

Image Con Text: One / 1983

"Leggett's early experiment was with film, though his exploration of video started in the '70s with CCTV and performance ... and re-contextualising the video image as film, to questioning the electronic technology and its 'ambiguities'. Leggett has moved fluidly between shifting moving-image technologies, film, video and digital, and engages the audience directly with the associated and variable discourses." - J.Hatfield.

The Thanksgiving Text /

Wanda Dench thought she was texting her grandson to check if he would be coming over for Turkey Day. Apparently, she had the wrong cell phone number. She actually texted Jamal Hinton, a high school senior, who accepted her invitation anyway — and has attended her feast every year since.

Text I / 1963

The Films Text I and Text II were likewise developed from randomly generated mathematical series; Text II is a pure permutation, Text I arose from the storage program of a computer. The words chosen were required to have the same meaning and spelling both in German and English.

Black/White/Text / 1980

Using the phenomenon of inverted (or negative) video feedback, this work constructs a one-to-one correspondence between recited text and image. Black and white rectangles, embedded one within another against a black background, are generated through a closed-circuit system: a camera’s signal is inverted and displayed on a monitor that the same camera is framing. The camera, as it were, sees itself seeing itself seeing itself and so on. (It’s the inversion itself that produces the alternating black and white rectangles). The number of rectangles is based on a precise score involving seven channels of chanted text (all in the voice of the artist)—a kind of “language canon.”

Diogo Portugal - Primeiros Textos / 2020

Callas – Text mit Doppelbeleuchtung / 1968

Texting / 2017

A man in his late 20's engages in a text thread while home alone.

Text Door / 1974

The language of the door that this film captures is the result of a Latin-written text being translated into a material alphabet composed of the angle and direction of movement of the creaking door.

Breakup Text /

When Milla's fiancé, Evie, suddenly leaves her, Milla must face the reality that their relationship is really over this time. Set amidst the backdrop of Los Angeles, this short film is an intimate portrait of queer grief as told through the end of a long on-again, off-again lesbian relationship.

Text Me When You’re Home / 2022

After being harassed on public transport one evening, a young woman must make her way home on her own.

Text Videovoid / 1996

The tape surfs the interface sense / nonsense… Starting in the gap of the unsynchronized signal it insists itself into existence through the mirroring process of selfreflection. The deadline breathes its last gasp, sufficient for the transit of a migrating signifier. / I will make a poem of pure nothing.

Don't Text Your Ex / 2022

An elderly couple remembers the time they broke up with each other and warns the youth about the gravity of a particular type of heartbreak: a queer heartbreak.

Text Me When You Get Home /

The unique and complicated bonds amongst women who grow up but never grow apart, even when your married friends completely forget what it was like to be single and try to set you up with a guy who has no neck.

The Pressures of the Text / 1983

1983 Peter Rose short film. A parody of art/critspeak, educational instruction, gothic narrative and pornographic diction, it has been performed as a live work at major media centers and new music festivals in the US and Europe.