Bee Part 3: A Self Portrait /

Let nothing be lost upon you.

MiND MY GOOFiNESS: the Self Portrait / 2023

A strange dream. Favors for friends. The end of the world. . . It’s just one of those days for Alex as he runs errands he never needed to, while trying to make sense of a recurring deja vu throughout the journey of his day.

Night Movie No. 1 (Self Portrait) / 1974

A film by Diana Barrie

Andrew Wyeth: Self Portrait - Snow Hill / 1995

A documentary about the painter Andrew Wyeth. The program incorporates the artist's great works along with family photographs, home movies, and personal letters to give viewers insight into the artist's very private world.

Fragments of a Self Portrait / 1974

Photographed in black-and-white on Sony Portapak videotape, Andrea Callard used one of the earliest portable video devices to capture herself ascending the stairs to her Lispenard Street studio in Downtown New York. She is wearing casts on both of her feet, pounding each stair with great effort, the once ubiquitous scratch and wobble of videotape distinguishing this piece from the work of her contemporaries using film. When she reaches the top, she removes the casts, revealing the artist's bare, naked feet, suggesting that perhaps these cocoons must be shed before she can enter the sacred space of her studio. - Stela Jelincic

A Self Portrait in Blood / 2023

Tied to a chair and unable to scream for help, a man is gruesomely tortured for a dark, mysterious reason.

Self Portraits or: How to talk endearingly to possible victims / 2023

Quinn is a grade school teacher who is exploited by a group of memoryless individuals who reeducate his long-term partner Amy.

Bob Dylan: Another Self Portrait (1969-1971) / 2013

Go behind the scenes in this exclusive documentary short chronicling Bob Dylan’s Self Portrait sessions and the songs collected on Another Self Portrait (1969-1971): The Bootleg Series Vol. 10, featuring exclusive interviews with Self Portrait producer Bob Johnston, guitarist Dave Bromberg, and organist Al Kooper.

Lucian Freud: A Self Portrait / 2019

For the first time in history the Royal Academy of Arts in London, in collaboration with the Museum of Fine Arts in Boston, is bringing together Lucian Freud’s self-portraits. The exhibition will display more than 50 paintings, prints and drawings in which this modern master of British art turned his unflinching eye firmly on himself. One of the most celebrated painters of our time, Lucian Freud is also one of very few 20th-century artists who portrayed themselves with such consistency. Spanning nearly seven decades his self-portraits give a fascinating insight into both his psyche and his development as a painter, from his earliest portrait painted in 1939 to the final one executed 64 years later. When seen together, his portraits represent an engrossing study into the dynamic of ageing and the process of self-representation. This intensely compelling exhibition creates a unique opportunity for EXHIBITION ON SCREEN to reveal the life’s work of a master in one show.

Elisabeth Schwarzkopf: A Self-Portrait / 2002

In this captivating film by Gerald Caillat, Elisabeth Schwarzkopf, at the age of 80, looks back on her musical life and tells the story of her glittering career. The documentary contains accompanying archival footage as she narrates her life story, in English, through the various roles and performances that have shaped the life of one of the greatest of all singers. Schwarzkopf was one of the finest sopranos of her time. She was an outstanding performer both on the concert platform and in the opera house, where she memorably characterized such roles as Donna Elvira (Don Giovanni), the Marschallin (Der Rosenkavalier) and the Countess (Le nozze di Figaro).

Split Infinities: Self-Portrait Reconsidered / 2017

"Two films & two iPhone sketches, with 40 years between them. Includes formal studies in light & shadow, subjectivity & objectivity, film material and the creative process. Filmmaker’s self-portrait in time, and by chance." - Holly Fisher

Self-Portrait As A City / 1977

Spirit of '76 (Self-portrait) / 1976

An early work of Anne Charlotte Robertson, where "the sharp self-scrutiny, off-beat humor, and obsessive attention to details and textures that come to be important signatures of her subsequent films are crystallized." — Harvard Film Archive

American Capitalism, A Self-Portrait / 2013

This found-footage film is made by cutting and pasting bits and pieces of institutional movies from the Prelinger archive fund. It aims at throwing light on American capitalism discursive dynamics.

Stone Lifting. A Self Portrait in Progress / 2018

A short film by Maria Lassnig, shot from 1971-74.

Out a Window: Self-portrait / 1981

Super 8mm. Colour. Sound. 3 minutes.

Crematorium: A Collaborative Self-Portrait / 1979

A film by Joseph Bernard

Self-Portrait of a Dreamer /

A young man struggles between his dreams and his fear of fulfilling them. His body wishes to dance, it wishes to come into contact with the body of another man, it wishes to be free. But walls confine his body - it stays immobile as it slowly decays, longing to be able to reveal itself, but repressed by the world around it.

Auto Portrait / Self Portrait Post Partum / 2013

SPPP is an autobiographical experimental film exploring the ramifications of the devastating breakup of a romantic relationship. The film examines my own emotional responses in the context of how this experience is culturally represented. Painstakingly handmade, the visual and sound treatments evoke different phases of the relationship (from passionate attachment to escalating conflict to inexplicable breakup) and the various phases of the grieving process - from denial, to yearning, to anger, to final liberation: a healing release effected through the making of this film. A triptych of self-portraits-entire camera rolls, each subjected to different methods of extreme interventions on the celluloid itself-are presented in a series of tableaux punctuated by quotes reflecting on romantic love scratched into the filmstrip.

Self Portrait After Raban Take Measure / 2008

Self Portrait looks for an approach to a specific relationship between the duration of a work and material conditions in the projection as did William Raban in the film-performance Take Measure. The main difference is that Raban’s work was made when cinematic media had distinct physical properties linking medium directly to image - this self portrait recognizes that there is no such simple materiality for cinema following the emergence of digital processes. Instead the work takes a conceptual base – the speed of light and the time taken for light to travel from the sun to illuminate objects on earth –thus the duration of 8 minutes 20 seconds.