Hai cercato: Medea
Le visioni barbare di Medea / 2007
In Pasolini's vision, Euripides' Medea becomes an emblem of the Third World deceived and exploited by the pragmatic rationality of the West (Jason). The sequences of human sacrifice, shot in Turkey, are among the highest and cruelest in Pasolini's cinema. Maria Callas in her only film role, is a lunar goddess of revenge.
Curse of Medea / 2014
On January 27, 2010, Okpako visited the (East) German author Christa Wolf to discuss a film project based on Wolf's novel Medea: A Modern Retelling. Over tea, with the sound of planes landing at nearby Schönefeld airport, they talk about how she came to tell the story of Medea the immigrant, treated with suspicion in her host country, and are joined by the voices of Medea, Jason, Agameda, Glaucke and the passing of the East German era. This film premiered at the Berlinale in 2014.
L'Isola di Medea / 2016
Il documentario indaga su un momento particolare della vita della divina Maria Callas: Pier Paolo Pasolini la vuole come protagonista della sua "Medea", creando l'occasione per un grande incontro d'arte, intenti e sentimenti tra i due giganti del Novecento.
Vai alla scheda del filmConosciuto per: The doctor says, I'll be alright but I'm feelin' blue ()
Medeas / 20137.25 voti
An intimate portrait of a rural family's inner lives and their relationship to a harsh and shifting landscape.
Vai alla scheda del filmVisioni della Medea (tracce di un film sognato) / 2004
Some of the scenes cut from the final editing of Medea by Pier Paolo Pasolini, fortunately found by L’Officina - a historic Roman film club born in the 1970s - on the initiative of Cinemazero in Pordenone have been preserved and digitized at the Cineteca del Friuli. These materials, with the care of the Pasolini scholar Luciano De Giusti, have been reassembled, accompanied by texts / readings and original music by Paolo Corberi: here are the "Visions of the Medea (traces of a dreamed film)", now a very important document to reconstruct the creative process of production and reliving the poetic / lyrical aura of the film's protagonists and places, including the lagoon of Grado (GO).
National Theatre Live: Medea / 2014
Medea is a wife and a mother. For the sake of her husband, Jason, she’s left her home and borne two sons in exile. But when he abandons his family for a new life, Medea faces banishment and separation from her children. Cornered, she begs for one day’s grace. It’s time enough. She exacts an appalling revenge and destroys everything she holds dear.
Vai alla scheda del film“If I am a virgin. If the enemy catch me. You know what they will do…” / 2019
Based on interviews with Kurdish fighters living in the UK, and written and directed by the first woman ever to direct at the National Theatre, Blueprint Medea is an award-winning new drama, loosely inspired by Euripides’ Medea, which connects the classical to the contemporary to explore eternal questions of passion, war, cultural identity, women’s freedom, sex, family and love.
Dove vedere in streaming “If I am a virgin. If the enemy catch me. You know what they will do…”
Medea / 2022
Lisa is a mother of two children who survived a divorce. And it seems that everything is starting to return to its usual course, but then she receives a strange warning.
The Metropolitan Opera: Medea / 2022
Having triumphed at the Met in some of the repertory’s fiercest soprano roles, Sondra Radvanovsky stars as the mythic sorceress who will stop at nothing in her quest for vengeance. Joining Radvanovsky in the Met-premiere production of Cherubini’s rarely performed masterpiece is tenor Matthew Polenzani as Medea’s Argonaut husband, Giasone; soprano Janai Brugger as her rival for his love, Glauce; bass Michele Pertusi as Glauce’s father, Creonte, the King of Corinth; and mezzo-soprano Ekaterina Gubanova as Medea’s confidante, Neris. Carlo Rizzi conducts.
Medea, un maggio di Pietro Frediani / 1972
Nel paese di Buti, sul Monte Pisano, tramite il racconto orale persiste il ricordo di un genere di teatro popolare, quello del Maggio, estinto dal 1952 circa, anno della morte di uno degli ultimi registi, Angiòlo Bernardini, deceduto all'età di 82 anni. Il regista, con l'aiuto dell'antico suggeritore, delle note scritte a mano sui copioni e degli attori di un tempo, ormai anziani, tenta di rimettere in scena questo teatro, recitato e cantato in quartine di ottonari.