Against Me!: We're Never Going Home / 2004

Documentary on punk band Against Me!

You May Own the Lanterns, but We Have the Light (Ep.1 Home Alone) / 2022

A short, black and white film comprised of found cartoons and animations, all re-drawn and re-animated with varying degrees of alterations to the original source material. Drawing from the magic lantern and the evolution of the language and technique of animation, where fantasy and animistic desires, are created through highly rigid and hierarchical modes of production and optical engineering, the diverse found cartoon footage is edited and transformed to paint a picture of a city plunged in darkness, where inhabitants engage in various forms of escapism and confrontation. The plot of the film starts in the guise of a linear narrative where two young adults go out to dance, while a younger child is left behind to devolve into increasingly tempestuous dreams.

We Have Forgotten to Return Home / 2001

A documentary by Fatih Akin about turkish immigrants in Germany.

We're Not Going Home / 2020

An all-access journey behind the scenes of the Dallas Stars' run through the 2020 Stanley Cup Playoffs presented by Comerica Bank.

The Place We Call Home / 2017

We don’t go home / 2014

“The Earth with be obliterated in 2012”. “That sucks”. A man carrying a black lump. A screaming male high-school student. A prophet. A throng of children. Sound that sticks out of the shot, sound that comes in, sequencing and cutting off of images, and editing that undermines the independence of the shot make explicit the uncertainty of “now/here”.

Is It OK If We Follow You Home? / 2014

In Tokyo, after midnight, many people wander around without destinations. Some were partying, some were working late, and some were just too drunk to catch the train on time. What happens if a camera crew suddenly asks them to let a camera follow them home in exchange of paying the taxi fare? There is no time for preparation for the interviewee. The...

While We Stayed Home / 2021

In the empty city of Tel Aviv during the pandemic two strangers cross paths. Their small flirtation hits the most graceful of pandemic humor notes and ends with a satisfying (for those who are bloodthirsty) twist.

We Can't Go Home Again / 2006

Indie drama from Japan.

The Ghosts We Left at Home / 2020

During a scorching hot summer’s day in Amman, a man prepares for a special meeting. A raw and intimate portrayal of a man in grief, and a city on fire, doomed and in exile, and sinking to hit rock bottom. It plays in the margin of reality, where forces of the masculine and the feminine alternate, merge, attract and repel.

That Summer We Stayed at Home / 2020

In a country house in the middle of nowhere, the life of a couple repeats itself in an eternal cycle of daily routines and abuse.

Shall We Go to My Place or Your Place or Each Go Home Alone? / 1973

Arne, Calle, and Gunnar are friends, probably in their twenties. One telephones the others, and they decide to visit a nightclub. They hope to meet women and have sex. After they arrive at the club, each man meets with a certain degree of success or failure. Calle particularly is frustrated, for no woman agrees to dance with him. Meanwhile, Arne and Gunnar are busily conversing with women. Eventually the friends all leave with lady friends in tow, and spend the night in various apartments. In the morning, the couples depart differently. One couple has bonded amicably, another tenuously, and the third not at all. The next day, the men reconnect, and decide to try their luck again. Written by veloc

These Places We've Learned to Call Home / 1996

Experimental video and performance meditating on militias, American fundamentalism, the opening of the American West.

We Returned to Our Homeland / 2012

Borisoglebsk. 20 years ago, Russian refugees and "forced migrants" rushed here from the former Soviet republics to escape the interethnic massacre. Did they manage to become their own in their historical homeland? And isn't Russia on the brink of an inter-ethnic war today?

O'SOLE MIO or "We're gonna loose our way going home" / 2023

Wind blew and almost knocked me over, but if I hadn't been there I wouldn't have remembered that day.

Makoto Kitano: Don’t You Guys Go - We're the Supernatural Detective Squad Haunted Legends Home Visit SP / 2016

The members of the Psychic Detective Squad, led by well-known psychic Makoto Kitano, visit numerous legendary haunted places! The "Haunted Lodge" is one of the most haunted spots in the Kanto area, where there is no end to the number of sightings and experiences!

Siamo uomini o caporali / 19557.442 voti

Totò viene rinchiuso in un ospedale psichiatrico per aver tentato di mordere l'amministratore del teatro in cui lavora come comparsa. Durante i dialoghi con lo psicanalista della struttura medica, Totò racconta tutte le disavventure capitategli in vita ed espone la sua teoria secondo cui il mondo si divide in uomini che sudano e uomini che fanno sudare.

Keep Watching / 20171.01 voti

I componenti di una famiglia, presi in ostaggio da coloro che si sono introdotti nella loro abitazione, sono costretti a giocare una terrificante partita all'insegna del motto "uccidi o sarai ucciso". Man mano che la notte avanza, le misteriose regole del gioco diventano sempre più chiare e la famiglia si rende conto che l'incubo di cui è vittima è trasmesso in diretta ai telespettatori di tutto il mondo, che non sanno se quello che vedono è reale o messa in scena.

The Barbados Project / 2022

When a video showing a mysterious giant creature appears on social media in Barbados, a trio of video journalists decide to investigate.

Homefront / 2013

Three soldiers become unlikely friends after falling into enemy hands in this emotional drama that takes a very different look at war. One by one, Pvt. Aaron Phillips, Lt. Steven Hill, and Sgt. Bryan Monroe are taken hostage. Strangers to one another, each man has his own story and different levels of military experience. While Pvt. Phillips is on his first tour of duty, Lt. Hill has returned to active duty from the reserves, and Sgt. Monroe is on his fourth and final tour. Trapped in a small and dank prison cell, the soldiers swap stories of their last memories of home, but time is running out, and all of their lives are hanging in the balance.