La Voix humaine / 1990

La Voix Humaine is a concerto for soprano and orchestra, centering on the break-up of a relationship by telephone. It represents one side of a conversation between a young woman (sung by American soprano, Julia Migenes) and her lover, who has jilted her. In a 1930s, Parisian apartment, a woman is seen making for the door. As she passes the telephone, it rings. From now on she sings, sitting, standing, on her knees, pacing up and down the room, pulling at the telephone cord, going through every emotion until ultimately, in despair, she takes her own life. Jean Cocteau wrote, it is not just that the telephone is sometimes more dangerous than the revolver but that its tangled cord drains us of our strength, while giving us nothing in return.

La voix humaine / 1971

An elegant young woman in her messy room answers the phone call from her lover. This one, who intends to leave her, tries to make her understand what he is up to without hurting her too much, hypersensitive as she is . All means are good: big words, cajolery, denial, lies. As for the woman, who senses that this is the end, she desperately tries to win him back, passing from tenderness to passion, from the threat of attempted suicide to calm, from regret to outbursts of violence.

The Voice of the Shadow / 2014

The Human Voice / 2018

A woman’s last phone conversation with her lover, who now loves someone else.

The Human Voice / 2021

A woman spends a surreal evening unraveling on the phone with her recently lost lover.

The City Without Windows / 2002

One day, all the windows in the City disappeared... Then the rain started... No matter what people tried, nothing could stop the water. Soon, disease spread, robbing people's abilities to speak; the endless rain killing all other forms of communication with its acidic torrent. This was a time when dialogue became a new challenge. When everything we knew had to be reinvented. This was also a time, in the midst of a chaotic, decaying environment, when a man tried to cope with the loss of his former lover.

La voix des steppes / 2014

A little boy Anatole lives in 1960s in the steppe in Kazakhstan with his parents-archaeologists. One day he witnesses the accidental death of his brother, this drama traumatizes the boy so much that he loses his ability to speak. Once he meets an old Kazakh who will teach him to hear again the world around him and will teach him how to speak again. The whole life of Anatole depends from now on from his ability to hear. His ear connects him to the world. 50 years later, the steppe calls him again.

Speak Up / 2017

The movie focuses on our common identities : “woman” and “black”, whilst highlighting the diversity of Afropean diasporas. This documentary explores the intersections of discrimination, art and blackness.

Succubus / 1987

A family settles in an old castle with plans to, among other things, turn its former cemetery into a swimming pool. However, soon they find out that, in ancient times, pagan rituals took place there involving the sacrifice of young virgins. When an evil entity starts luring young boy Mark into killing himself in order to become the next sacrificial offering, something must be done to save him. Written by Bob Baker and Dave Martin who wrote many episodes of Dr. Who.

His Master's Voice / 1978

Jacques Lemonnier of IBM France, Francois Dalle of L'Oreal and other ultrapowerful French moguls are surprisingly candid -- and cold-blooded -- as they discuss their attitudes about business in this startling 1978 documentary. After sounding off about unions, strikes, hierarchy and management, the subjects realized how callous they sounded and managed to convince the French government to suppress the film.

La Voix Humaine / L’Heure Espagnole / 2021

A woman calls her ex-lover, unable to let go of him. She flatters, despairs and blackmails in the hope that he will not hang up the phone. / The clockmaker’s wife takes advantage of her husband’s absence to receive her lovers. In Opera Zuid's double bill of 20th century French masterpieces, everything revolves around the female protagonists and their emotional development. The one-act operas La Voix humaine (Francis Poulenc) and L'Heure espagnole (Maurice Ravel), each lasting less than an hour, present themselves as two sides of the same coin united by the same longing for connection to another human being.

Tatarstan, la voix des femmes / 2020

Florent Pagny, la voix nue / 2021

La voix du métal / 1933

A woman of the world has fallen in love with a metalworker, and one evening gives herself to him. Some time later, the worker becomes blind. One last time, he will touch with his hands the machines with which he will no longer work while the countess returns to her life of pleasures.

La voix du rêve / 1949

Laura has lost her fiancé. Immediately after, an accident happens to her and she becomes blind. Eve, her sympathetic sister, and an understanding doctor imagine having a newcomer, Marcel, play the delicate role of the missing fiance, because their voices are identical. Laure marvels and regains a taste for life. But Marcel falls in love with Eve.

La Voix du piano /

Vampirical cry from the voice of the piano….or, when inspiration came in a dream. This film followed the criteria for April 2000 and June 2003: a short boys’ film and a mute film respectively.

La Voix sans visage / 1933

The singer Saltore is accused of the murder of his wife's lover, and is sentenced to ten years' hard labour. His daughter proves his innocence when she discovers the culprit to be his wife, who wanted to end an embarrassing love affair.

The voice that dies / 1932

Jean-Baptiste Guegan : la voix de Johnny, le concert événement / 2023

Irvin Blais, la voix du peuple / 2020