Hai cercato: Not Looking

Don't Look Back / 2022

Don't Look Back

A teenager recalls her good and bad moments of the year during her graduation.

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Looking for a Space: Lesbians & Gay Men in Cuba / 1993

Looking for a Space: Lesbians & Gay Men in Cuba

A documentary film examining the treatment of lesbians and gay men during the early years of the Cuban Revolution and perspectives of current residents of Cuba on questions of political ideology and sexual identity

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Looking for the idea of the tale / 2000

Looking for the idea of the tale

A woman is talking on her cell phone. A man's hand reaches out to her and tells her to snap the phone. The woman says, "Shut up and hit the man. The woman hits the man, saying, "You're always talking on the phone like that, living off the support of others. I'm on my own. The way you live is the problem. The man says. In fact, the man tries to have an affair and gets dumped. I thought the story would go like this, but it didn't go at all. This film was made based on a film shot in a seminar for fourth-year students at Tama Art University. The actors were students who participated in the seminar. They wanted to make a film about a story, so I asked each student to tell a story, which I transcribed, made into a scenario, and filmed them acting and talking. Rather than creating a "story," the work was composed of everyday scenes, with the idea of a "story" in mind. I have just begun to think about stories that make time. (Suzuki Shiroyasu).

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Looking Obliquely / 1983

Looking Obliquely

In this work, I visited a religious scholar, Shinichi Nakazawa, with the question, "What does 'gazing' mean to people? At the time, he was interested in Japanese ethnic religious beliefs by going to winter festivals, etc., and thought that a view of life as a series of rebirths was cultivated on the basis of a life based on farming. Here, I believe that "looking" provides an opportunity for the mind to be reborn. Created in 1983. The artist was 48 years old. (Suzuki Shiroyasu).

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Looking for Haru / 2016

Looking for Haru

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When I Looked at Myself from Above / 2017

When I Looked at Myself from Above

The film takes us through the working day of protagonists, factory workers. Their basic working tool is their body, ready to execute strenuous manual tasks. Day after day the same story, the same faces, the same spaces, the same tasks. Feeling confined, they seek a sheet anchor, a way out, an escape. They venture into the unknown, dance, drift and float in the air.

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Look, it's Vilnius / 2006

Look, it's Vilnius

A. Sutkus, A. Kunčius, and R. Rakauskas talking about their artwork.

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Look at Me 2002 /

Look at Me 2002

At the age of 9, due to the poverty of the family, Aitkin is sold to a person who has two wives and several children and marries him, she runs away from home due to the beating of her husband.

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Looking for a Practical and Realistic Behaviour / 1983

Looking for a Practical and Realistic Behaviour

The Cold War is peaking again in divided Germany in the early 1980s. How to deal with the upcoming nuclear annihilation shows this Alexander Kluge short.

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The Thug, the Bonehead, and the Good-Looking / 2019

The Thug, the Bonehead, and the Good-Looking

A film about three troublesome friends who learn that one of them has inherited a hacienda from a deceased, rich man alleged to be his father.

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Look at Me Again / 2012

Look at Me Again

Syllvio Luccio is a transsexual male being transformed in the middle of the Brazilian dry lands, a region of high temperatures, poverty and where male’s virility is extreme.

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I have been looking at the dream continuously / 1998

I have been looking at the dream continuously

Experimental work by Isao Yamada (Color, 8mm).

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Looking for My Family / 2015

Looking for My Family

The story begins with Tae-seong (Choi Won-yeong) and Yeon-hee (Ryoo Hye-won) heading for the child care facility with the hope of meeting the child they lost 6 years ago. They are divorced now but they were a married couple and had a child. They should have been happy but Tae-seong and Yeon-hee weren't. Min-goo (Kang San) is also confused about this situation. He's happy that he found his parents whom he thought never existed but he's also very careful about the situation. The three of them spend a night at a motel around the center. Tae-seong suggests to Yeon-hee, now that they found Min-goo, to forget about the past and live together again as a family. However, Yeon-hee refuses. Not only that, the next morning, she leaves without a word to Tae-seong and Min-goo. Tae-seong isn't sure he can take care of Min-goo so he returns the child to the child care center and runs back to Seoul. Can these three become a family again?

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When Land Is Looking for Its Heaven / 2016

When Land Is Looking for Its Heaven

The story of one Horehronie village through the fates of its inhabitants is a reflection of the social and economic reality of contemporary Slovakia and at the same time a search for a sense of being or a relationship with its country, its roots. Maintaining the traditions of folk culture and folklore is not just a romantic look into the village society. The appeal of social reality is moving elements of the traditional way of life closer and closer to societal issues. Praus's film offers an essay about man who is constantly struggling for his own sense of being.

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Look at These Young People! / 1969

Look at These Young People!

Film school desk akhladaprenil guys from Tbilisi in the early days of World War II soldier's overcoat to put on, temporarily put aside their dreams, loved ones and fire parted ways scattered. Thus began a new phase of their lives, gantsdebita and misery. Yesterday's long-suffering smile in front of the boys grow up into fighters.

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Don't Look Back / 2007

Don't Look Back

Jangan Pandang Belakang (translates as "Don't Look Behind") is a 2007 Malaysian horror film directed by Ahmad Idham. It holds the record as the highest-grossing film in Malaysia, which was previously held by 1994 drama film Sembilu.

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Looking for Omar / 2014

Looking for Omar

Four guys accidentally find loot of a robbery. No one knows this besides them, but they’ll be suspected the moment they start spending the money.

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Hands Untied: Looking for Gay Israeli Cinema / 2014

Hands Untied: Looking for Gay Israeli Cinema

Despite the abundance of its directors and cinematographers, it was not much anticipated that one day Israel could become an incredible land of creation for LGBT cinema.

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It Looks Like We Are Alone / 2015

It Looks Like We Are Alone

Djordje has to choose between his mask and his real face. He has to figure out how to deal with what he feels. Ognjen chose he will fight for his life and his love. Everything changes when reality crushes between them.

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New Look / 2006

New Look

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