Your Home Planet / 2020

A shy and bookish teenager, Nathan longs to meet a girl and one day become a great poet. A heartbroken former hockey star, Maripier just wants to be left alone. This is the story of their meeting.

Caramba, carambola: o Brincar tá na Escola! / 2013

00:04:47'' TA... / 2012

00:04:47" TA by Elika Rezaee

Magbuwag Ta Kay... / 2017

A romantic comedy detailing the funny and quirky last 30 days of a relationship between two college sweethearts who attempt to break up without the drama.

MI • TA • RI! / 2002

Film director Masato Hara welcomes MAORI as a partner and begins a new life. The two of us routinely turn the 8mm camera and make songs while the days go by. The time between the two will soon be the time for the three with their newborn eldest son, KOBOH. And a small family trip. Head south from Kyoto to Hiroshima, Kyushu, and Okinawa. Put enough luggage, shooting equipment and accordion in a small car.

Ta' Pelle med / 1952

Dakar, ta nostalgie / 2016

Et ta soeur! / 2011

The Sisters are joyous, high in color, made up and on the spot in the struggle not just against homophobia and AIDS but also for the right of homosexuals to exist socially, to ensure HIV AIDS prevention and bring help and comfort to the sick. The film answers these questions: Who are the Sisters? What do they do? What are their actions and objectives? How do you become a Sister of Perpetual Indulgence. Who is their chosen audience? Even if the Sisters are playing a role, literally actors in the guerrilla theater of the struggle against discrimination, they are no less responsible, committed and often remarkable, individuals. Their comments and observations, simple and direct, enable them to address the broadest public.

(Tending) (To) (Ta) / 2021

An interdimensional correspondence between two beings sharing queer kinship and rooted in ‘ta’, the monosyllabic sound which in Mandarin Chinese encompasses all third person pronouns: 他 (third person male), 她 (third person female), and 它 (more-than-human lifeforms and objects). This experimental, narrative-led speculative fiction follows an exchange of internal letters between two protagonists who imagine one another across parallel dimensions. Each communicates to an envisioned other, who exists as a possibility beyond their self-perceived boundaries of reality, and these two beings meet in a shared world of imagination. In this reciprocal reach for the unknown, a world that bears an uncanny resemblance to our contemporary reality – colonised by Western capitalist constructs of race, gender and class, and characterised by a collective distance from Ta – opens a portal to another realm.

Ta třetí / 2002