The Red Note / 2016

Dhaka is a city packed with millions of people, from different regions of Bangladesh, belonging to different religion, ethnicity, and from different financial background. The city has many parts which can be differentiated by architecture, vehicles and people. In this film we will follow a red ten Taka (Bangladeshi currency) bill as it travels through different parts of the city, getting changed from hand to hand, in turn giving us anecdotes of different people and their lives. Lal Kagojer Taka (The Red Note) takes us into the deep of Dhaka city.

The Final Note / 2015

Although college student Sam has made a pact to graduate with his best friends, he lags behind as the only one who is struggling to finish his thesis. At the same time, the girl he loves has found a new relationship. Can Sam push forward and fight for everything he desires?

Death Note / 2015

Il giovane Light è uno studente universitario. Un giorno riceve casualmente un cosiddetto \"quaderno della morte\" (Death Note), cosa che cambierà di colpo la sua intera vita. L\'utilizzo del quaderno fa nascere in Light un senso tanto distorto quanto estremo della giustizia.

The Third Notebook / 2022

An actress and a filmmaker rehearse a film script. It gathers fragments from the diary that María Dolores González Katarain, Yoyes, wrote during her exile in Mexico between 1980 and 1985, right after she quit ETA, the armed organization she had led for some time.

Notes before the Wind / 2020

A loose collection of scenes in Hong Kong shot over a five-year period, this film begins with the Umbrella Movement in 2014 and ends right before the summer of 2019, when large-scale social unrest and violent resistance erupted. The everyday scenes capture the ambience and the landscape of change in the city, standing as a quiet prelude to the ensuing conflicts.

NOTES FROM THE UNDERGROUND / 2020

Through a protagonist’s journey of self-discovery - two cities and the histories of their respective nations becomes contiguous.

Notes to the Past / 2006

The whole world knows his pictures — the Victory Banner over Berlin, the traffic controller, the Victory Parade. Printed in millions of copies, minted on gold coins, included in all encyclopedias and textbooks, neither became signs, symbols of the Second World War. Only few people remember the name of their author.

Notes on the Other / 2009

On July 13, 1924, Ernest Hemingway was on a balcony in Pamplona, Spain and saw a wounded main lying on the other side of the street. He became consumed with the feeling that he was that man, seeing himself in the near-dead Spaniard who had been attacked by bulls. "I am him," Hemingway later wrote. It was the very first time he wanted to be someone else, so he created the character of the adventurous writer. Notes on the Other follows the example of Hemingway's remarkable sensation in the form of an annual Hemingway lookalike contest in Key West, Florida. Dozens of older men do their utmost to be Hemingway, but what are they looking for?

Notes from the Underworld / 2020

A love letter to Vienna in the 1960s, and simultaneously a genre film of Austrian postwar history. Viennese folk song singers Kurt Girk and Alois Schmutzer talk about their lives in the Viennese underworld – for which they endured long jail sentences.

Notes on the Shore / 2018

This film about the life of Cubans without a roof over their heads shows how they go about their everyday activities: preparing food, discussing politics, singing songs, reading old texts by Fidel Castro, and sleeping off a hangover. Fourteen minutes of detailed observation of people overlooked by others.

Notes from the Basement / 2000

“While striking various poses around his apartment, [Haindl] addresses an imaginary public, his speeches ranging from defiant to contrite. Each one shows a different side of his personality, from political grumbler to poet in a slouch hat. His monologues deal with the usual prejudices, such as those against women and foreigners, and none of them can be reduced to a single coherent point of view. Commonplaces are qualified with contradictions and self-irony, and his tirades occasionally swerve in the direction of serious analysis. The state of pandemonium which characterizes the Austrian soul is depicted as a labyrinth of rhetoric.” –Dominik Kamalzadeh

Trans-Siberia, Notes from the Camps / 1999

Reminiscences from a few people convicted to the Siberia prison camps.

The Wound and the Knife (Notes for a Film About García Wehbi) / 2019

"The wound and the knife" is several things, or at least three: a documentary, a fiction and an essay. A documentary about the creative process of the last 5 years of the artist Emilio García Wehbi, a series of fictional scenes that dialogue with his work and a kind of essay on the body. In this sense, the staging is situated in the fragment, not only in the fragments of Wehbi's works, but also in the fragments of the bodies that make up those works. Thus, a little adrift and with a puzzle structure, in "The wound and the knife" I manifest a constant will to jump into the void, in this way the film denies itself as a closed work, but rather, what what it tries to be is a draft, the single notes that survived my own process.

Mr. Manatane's Notebooks / 1997

Poetry lovers, defenders of good taste, dear hunters... you are here at home! Find Benoit Poelvorde at the top of his madness in the complete "Carnets de Mr Manatane". More than 7 hours of knowing how to live (or die) by Mr Manatane!

The notebook of Mr. Pim / 1930

A Austrian propaganda film by the Social Democrats for the general election on 9 November 1930's.

Mi Xiao Circle School Notes / 2022

Death Note the Korean Concert / 2016

Korean concert version of death note the musical this showcase follows Light's quest through song.

The Pilgrims (voyage notes and fragments) / 2020

A pair of wandering, young eyes traveling through Spain from the point of view of a train cabin. A reflective diary where the railway poetics and changing landscapes form a contemplative whole. A piece that, from the physical transit, tries to identify what could be understood in another sphere as the journey of life itself.

The Stranger: Notes on [Self] Exile / 2018

Based on the writings of Atahualpa Yupanqui and Marcelo Viñar, this dreamlike documentary addresses what it means to belong to a place. Through philosophical motifs and abstract compositions, La Extraña confronts the potential dissociation with one’s own sense of being. A Doc Fortnight/Cinema Tropical collaboration.

Notes on the Making of 'Berlin Alexanderplatz' / 1980

Documentary about the making of the 1980 German television series.